Juan Miguel Bataller

Madres: amor y vida

La que se avecina is a Spanish television comedy created by Alberto Caballero, Laura Caballero and Daniel Deorador. The TV-series focusing around the inhabitants of Mirador de Montepinar, a fictional building located on the outskirts of a big city. Both its storylines and cast are heavily based on Aquí no hay quien viva, which ended when Telecinco bought Miramón Mendi, the series production company. The episodes debuted on the Telecinco network, and were later rerun by the same network as well as cable/satellite channels FactoríaDeFicción and Paramount Comedy. The series debuted in 22 April 2007 and became popular thanks to its funny characters, witty script, use of catchphrases and capacity to integrate and poke fun at contemporary issues; the program presents a caustic satire of many of the 'types' found in Spanish society. The name of the show involves wordplay, as "vecina" is the Spanish word for neighbour.

When Gonzalo Torregrosa, owner and founder of Torregrosa Funeral Home, passes away, Dámaso Carrillo, his right-hand man in the company, doesn’t hesitate that the best for the business is taking the reins himself. However, against all odds, Nieves, the septuagenarian widow, decides to take the lead in the family business, with the assistance of her inept yet enthusiastic son-in-law, Chemi, a Marketing expert, and in defiance of her daughters’ plans to close the Funeral Home and start a gym. While Dámaso conspires and manipulates his colleagues against the new management, the company will face competition from Transitus Funeral Services and their expansion plans, as well as a #MeToo case that threatens Gonzalo Torregosa’s legacy.

When Gonzalo Torregrosa, owner and founder of Torregrosa Funeral Home, passes away, Dámaso Carrillo, his right-hand man in the company, doesn’t hesitate that the best for the business is taking the reins himself. However, against all odds, Nieves, the septuagenarian widow, decides to take the lead in the family business, with the assistance of her inept yet enthusiastic son-in-law, Chemi, a Marketing expert, and in defiance of her daughters’ plans to close the Funeral Home and start a gym. While Dámaso conspires and manipulates his colleagues against the new management, the company will face competition from Transitus Funeral Services and their expansion plans, as well as a #MeToo case that threatens Gonzalo Torregosa’s legacy.