Nguyễn Thị Ngọc Hiệp

The residents of Ho Chi Minh City face modernization amid widespread poverty. A retired American Marine arrives on a search for his daughter, whom he abandoned at the end of the Vietnam War. Elsewhere, a cyclo driver falls for a troubled prostitute and schemes to raise money so he can spend time with her. Additionally, a young women begins harvesting lotuses for a writer suffering from leprosy, and a child trinket seller loses his traveling case.

A young girl falls into a river and drowns. When her body is found in a remote village along the river, her uncle arrives to claim her body, only to find that she is very much alive. But when she returns to her family, unexplainable occurrences lead them to believe she is possessed.

A fable about social prejudice, Devil’s Mark tells the story of a young girl who is accused of witchcraft and banished from society. The film was shot in the remote mountainous region of Ganh Son — a gruelling production location that involved transporting cameras and equipment by cattle carts. Rich in mythological associations and striking desolate landscapes, Devil’s Mark also features the first scene of complete nudity in a Vietnamese film.

Phuoc wanders aimlessly and stops at the restaurant ‘White Night’, owned by the Boss. Sharing the space with those who work there, Phuoc learns about the lives of the Boss’s family.

The 3 interwoven stories unfold the terrifying Vietnamese urban legends revolving around an ill-fated superstar behind the iconic sugarcane lady poster, a has-been circus magician making a deal with the devil, and a sinister spirit trapped in an eerily desolate...

Set in the poor Mekong Delta coastal village of Thơm Rơm, the film follows the lives of three women, whose love lives are unusual and unique to their nature. The film is narrated from Hau's perspective, as she experiences life with a husband who only has eyes for another woman, and develops her growing friendship with her rival.