Stephan Wilhelm Müller

Nur ein Sandkorn.

The young adult Emil grows up in a conservative family in a small town in the 1960s. Because his father wants to make him a "real man," it is not easy for Emil to accept his own personality and therefore homosexuality. He only finds refuge in art, mainly painting.

A worried father and his teenager daughter face inexplicable, threatening incidents when their car unexpectedly breaks down in the supposedly deserted woods.

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Here's to the Mammoth