Mihajlo Tornjanski

The movie is an allegory of society, with its protagonists being neighbours who are trying to fix only the facade while the inside of the building is falling apart.

Two young men from Eastern Europe take a pilgrimage to Santiago, Spain. Upon arrival at one of the most northwestern points of Europe, the south-easterners find themselves foreign both to the identity of their surroundings, as well as to their own. Without realizing it, they embark on a pilgrim-esque exploration of their own identities and the religiously-spiritual and nationally-sexual differences between them.

An inquiry into the international sense of democracy. Through a set of highly stylized "tablo" frames, their spontaneous manners tell a short love story.