Jalal Altawil

In the treacherous and swampy forests that make up the so called “green border” between Belarus and Poland, refugees from the Middle East and Africa trying to reach the European Union are trapped in a geopolitical crisis cynically engineered by Belarusian dictator Alexander Lukashenko. In an attempt to provoke Europe, refugees are lured to the border by propaganda promising easy passage to the EU. Pawns in this hidden war, the lives of Julia, a newly minted activist who has given up her comfortable life, Jan, a young border guard, and a Syrian family intertwine.

A fisherman's son is offered the ultimate privilege to study at the Al-Azhar University in Cairo, the epicenter of power of Sunni Islam. Shortly after his arrival, the university’s highest ranking religious leader, the Grand Imam, dies and the young student becomes a pawn in a ruthless power struggle between Egypt's religious and political elite.

A small village on the Syrian-Turkish border in the early 1980s: The six-year-old Kurdish boy Sero experiences his first school year in an Arab school and has to watch his small world being radically changed in the course of an absurd nationalism.

Maysan and Iyad, a Syrian couple, work at a Breton fish auction and with their daughter seem to constitute a happy family. They have just been informed their residence permits have been approved. But then Iyad asks a question his wife wishes she hadn't heard. Great acting in this dissection of a marriage.

Recently immigrated to France from Syria, Ghaydaa is preparing for a special day: It is the first return of her son Shahin in France, but the separation between mother and son is proving more difficult than she thought.

Souleymane and Leila just got married, for better or for worse. The better is that they love each other very much. The worse is that they live in an absurd and kafkaesque country.

In the northern mountains of Lebanon, a Syrian man hoping to reunite with family torn apart by war encounters two Palestinian children whose own stories of exile provide a glimpse into the uncertainties he must face as a refugee.

Le Palais Oriental

Marilou and Philippe prepare for their future retirement in Portugal. But their daughter separates and a whole procession of solicitations falls on them.

RIAD, a former legionnaire suffering from a post-traumatic stress disorder that destroyed his family, gets back to his son MEHDI after months of separation, in a social centerfor family meetings.

Fanny, a shy and lonely teenager, goes on a language exchange to Germany. In Leipzig, she meets her pen pal, Lena, a teenager eager to become politically active. Fanny is troubled. To win over Lena, she invents a life for herself, to the extent of becoming trapped in her lies.

César is 12 when his older sister Lou is the victim of sexual assault. In the changing rooms of his fencing club, the only standard that matters is violence. César wishes he could measure up but may not be armed for the fights to come.

L'Apatride

Eden

A historical work that deals with one of the most important pages in Islamic history, as it embodies the biography of the second Rightly Guided Caliph, Omar Ibn Al-Khattab, may God be pleased with him. The importance and role of his role in the history of the call and the establishment of the Islamic State lies, as well as the advantages and special virtues of that character that made him a reference and guiding model for Muslims until the present time. . A boy of brilliant intelligence, he became the greatest ruler of the world, and he did not forget at the height of his power that he represented a message carrying the highest moral values, so he provided care for the oppressed, and guaranteed justice for all, even for his enemies.. He is Al-Farouq Omar bin Al-Khattab.

The events of the series take place through ordinary and passing characters (passengers), who are picked up by Abu Janti taxi by chance, so that the hero catches their stories and comments on them and affects or is influenced by them in the context of his daily movement and pension, and in a mold that tends to wit in most of its area, but it approaches tragedy or crying sometimes, conveying the image of reality The real, with critical sarcasm or cynical pain. The work tries to enter the personal worlds of taxi drivers and the worlds of customers, which will not be devoid of the funnyness of the situation, with a satirical comic framework. The work belongs to the type of black comedy, as it presents the problems of society so that it forces you, as a viewer, to oscillate between laughing and crying in the same scene. The series carries new and varied ideas and creates topics that touch the problems and concerns of simple people.