Tang Lai Ying

A former talent manager and single mother discovers a new star, reigniting her career. However, her devotion to the star ignites her teenage son's jealousy, and she struggles to balance her family and her career.

Believing that writing Cantopop is her God-given talent, Law Wing-sze decides to make it her lifelong career. But as hard as Sze tries to polish her lyric-writing skills and expand her social circle, nothing seems to go her way. What if there’s a will, but there’s no way?

Everyphone Everywhere’s cross-cutting narrative brings together a large set of players within the mobile-communications theme. First there’s designer Chung Chit (Endy Chow), who rushes to catch a ferry and leaves his phone at home. There’s no time to retrieve the device, so he tries to soldier on without it – and the results are eye-opening. Eventually, he’ll need to call his wife Ivy (Cecilia Choi) to awkwardly help him out. Meanwhile, soon-to-emigrate middle manager Raymond Ho (Peter Chan) starts his day with his WhatsApp account hacked and frozen. Broken contacts aside, his big fear is exposure of shady workplace practices and possible blackmail or arrest. Then there’s Ana (Rosa Maria Velasco), an old classmate of theirs who’s waiting in a private kitchen and getting odd messages. And all the time a young lady, Yanki (Amy Tang), and a nerdy computer wiz (Henick Chou) are busy using messaging apps for sleazy purposes.

Writer-director Andy Lo's follow-up to his award-nominated drama Happiness is a delicate portrait of a family threatened by well-intentioned lies they tell each other. Mei-chen's family seems fine on the surface, but everyone is secretly struggling. Mei-chen is trapped in a dead-end job with a toxic boss; her brother won’t tell his family that he has separated from his wife; and Mei-chen’s mother is worried that her untold past may shatter her family. Compassionate and hilarious, this is a dramedy with a comforting message about learning to let go.

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