Alondra Mijangos

After receiving a phone call, a man feels his inner world come to a standstill. Recalling the event decades later, he relives how everything changed in that moment and reflects on how quickly his life has passed and how his reality was constructed by all the things he repeated to himself like a mantra.

Andrea and the simbionte travel to Toledo; when they arrive, they find a lonely bus station, which slowly turns off the lights for them. In the silence that surrounds them, Andrea watches the moment pass and with it her certainty about her future dream with the simbionte, feeling that everything she experiences is actually a memory.

Mauve is the color palette Monet used to represent his wife Camille Doncieux on her deathbed. It's also the color palette of suffering and complex trauma; of visible and invisible bruises, from the female gaze. MAUVE, “La piel malva” in its spanish title, is an audiovisual diptych about the depth of the emotional wounds of domestic violence; the same one that the surrealist Dora Maar lived with the minotaur Picasso. "Mauve" was a finalist in the Filminuto category of the Mobile Film Latam of the Conservatorio Audiovisual de Colombia in 2022.

Minotavr II