Carita Ivanova

A final feedback meeting is being held prior to the release of an art school's new commercial. Everyone is happy, but then a thought arises as to whether the commercial can be perceived as too white. The meeting escalates into a debate about how it happened, if it can be solved and above all - whose fault it is.

In the shade of Malta’s scorching sun, around the edges of the Swedish online-gambling community, exiled con man Dimman shows up for a lavish wedding, kicking off a desperate and decadent pursuit of redemption.

Fanny prepares a memorial for her deceased artist mother at a gallery. Family and friends gather to eat dinner surrounded by her mother’s pictures. It is dignified, tranquil, and well-organized, but beneath the surface tensions simmer.

Denmark, in a not-too-distant future. The rising water levels can no longer be ignored and the country needs to be evacuated. As people disperse in all directions, they must bid farewell to what they love, what they know, and who they are. Slowly but steadily, everything changes. All property becomes worthless, all fortunes shift, and luck favours only a few. Those who can afford it travel to affluent countries while the less well-off depend on government-funded relocation to more challenging destinations. Families, friends, and loved ones are separated. Some will be overcome by hatred and division, while others will nurture love and foster new beginnings. Against this backdrop we meet Laura, a high school student in love for the first time and on the cusp of graduation. When news of the evacuation breaks, the course of Laura and her family's lives are changed forever, and Laura is forced into the impossible dilemma of choosing between the three people she loves the most.