Jean-Pierre Melville

A small-time thief steals a car and impulsively murders a motorcycle policeman. Wanted by the authorities, he attempts to persuade a girl to run away to Italy with him.

With more than 70 films and 160 million cumulative tickets in France, Jean-Paul Belmondo is one of the essential stars of French cinema.

Paris, France, during the First World War. While thousands of soldiers die every day on the battlefields, Henri Landru, a seemingly respectable furniture dealer, married and father of four children, relentlessly feeds his own sinister factory of death.

At the end of the 1950s, four humor specialists simultaneously experienced recognition. Fernandel with “The Cow and the Prisoner”, Bourvil with “The Hunchback”, Jacques Tati with “My Uncle” and Louis de Funès with “Oscar” at the theater. On the big screen or on stage, each of these artists has a unique style of humor. They are the kings of French comedy. But how did they manage to become true box office champions? How did they experience their immense popularity? How do they still influence the comedy genre? And above all, are- are they funny in life? Where is the line between their character in the cinema and their real personality?

The movie follows the clock round as music hall clown Beby takes off his make up, goes home for a meal, looks at photos and goes to bed to rise, spend a day in the village and perform with his new partner.

Two French journalists become embroiled in a criminal plot in New York City involving a disappeared United Nations diplomat.

The charismatic, surly son of a wealthy industrialist, Clément, leads a double life as a member of a right-wing extremist organization. When he’s ratted out after a failed assassination attempt on a prominent politician, Clément and his long-suffering wife Anne flee Paris to the idyllic country home of his childhood friend, pacifist print-maker Paul. As affection blossoms between Paul and Anne, the emotional, as well as political tensions, soar and eventually explode.

A poet in love with Death follows his unhappy wife into the underworld.

Mixing interviews, rare archival footage and film extracts, the film shows how Melville's works were impacted by what he experienced in his youth during WWII, and how it structured his whole approach to cinema, not only in its thematic but also in its aesthetics.

Alain Delon, l'ombre au tableau

Shot while he was preparing Un Flic, Melville carefully leads Labarthe through the trajectory of his career, from his daring debut The Silence of the Sea to his great successes of the 1960s, Le Samourai and Le cercle rouge. Labarthe also details the development of the Melville “myth: the dark glasses, the trenchcoats, the Ford Mustang, and his general tough-guy demeanor. This documentary first appeared as an episode on the French television series "Cinéastes de notres temps".

Gérard Courant applies the Lettrist editing techniques of Isidore Isou to footage of late 70's pop culture. Courant posits that his cinema offers an aggressive détournement to the French mainstream, reifying a Duchampian view of film: "I believe in impossible movies and works without meaning... I believe in the anti-movie. I believe in the non-movie. I believe in Urgent... My first full length movie that is so anti-everything that I sometimes wonder if it really does exist!"

A professor experimenting in suspended animation accidentally shrinks his dog and later, his female lab assistant, when she drinks the liquid by accident and shrinks to 3 inches tall. The professor keeps her in his pocket until he can find an antidote. Sometimes she's naked, too.

Documentary exploring the friendship between French director Jean-Pierre Melville and actor Alain Delon, and their collaboration on the 1967 film Le samouraï.

Delon Melville, la solitude de deux samouraïs

Lino Ventura, la part intime

In Paris, Bob Montagne is practically synonymous with gambling -- and winning. He is kind, classy and well-liked by virtually everyone in town, including police inspector Ledru. However, when Bob's luck turns sour, he begins to lose friends and makes the most desperate gamble of his life: to rob the Deauville casino during Grand Prix weekend, when the vaults are full. Unfortunately, Bob soon learns that the game is rigged and the cops are on to him.

Director Jean-Pierre Melville and actor Lino Ventura are interviewed about their 1966 film.

Like nobody else Jean-Pierre Melville influenced modern filmmaking. This documentary follows his creative process step by step, showing him becoming the father of the Nouvelle Vague and one of the most iconic directors of French cinema.

An American in Paris lives by sponging off his working friends, and throws a party using borrowed money when his rich American aunt dies, believing firmly in his horoscope.

Midi trente

Cinépanorama