Robert Morse

Newton, Massachusetts, U.S.

Biography

​From Wikipedia, the free encyclopedia.   Robert Morse (May 18, 1931 – April 20, 2022) was an American actor and singer best known as the star of both the 1961 original Broadway production, for which he won a Tony Award, and the 1967 film adaptation of How to Succeed in Business Without Really Trying, and as Bertram Cooper in the critically acclaimed AMC dramatic series Mad Men (2007–2015). He won his second Tony Award for playing Truman Capote in the 1989 production of the one-man play Tru. He reprised his role of Capote in an airing of the play for American Playhouse in 1992, winning him a Primetime Emmy Award. Description above from the Wikipedia article Robert Morse, licensed under CC-BY-SA, full list of contributors on Wikipedia.

Movies

Matinee Theater is an American anthology series that aired on NBC during the Golden Age of Television, from 1955 to 1958. The series, which ran daily in the afternoon, was frequently live. It was produced by Albert McCleery, Darrell Ross, George Cahan and Frank Price with executive producer George Lowther. McCleery had previously produced the live series Cameo Theatre which introduced to television the concept of theater-in-the-round, TV plays staged with minimal sets. Jim Buckley of the Pewter Plough Playhouse recalled: When Al McCleery got back to the States, he originated a most ambitious theatrical TV series for NBC called Matinee Theater: to televise five different stage plays per week live, airing around noon in order to promote color TV to the American housewife as she labored over her ironing. Al was the producer. He hired five directors and five art directors. Richard Bennett, one of our first early presidents of the Pewter Plough Corporation, was one of the directors and I was one of the art directors and, as soon as we were through televising one play, we had lunch and then met to plan next week’s show. That was over 50 years ago, and I’m trying to think; I believe the TV art director is his own set decorator —yes, of course! It had to be, since one of McCleery’s chief claims to favor with the producers was his elimination of the setting per se and simply decorating the scene with a minimum of props. It took a bit of ingenuity.

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Matinee Theater
1955