Robert Hawk

What do filmmakers as disparate as Kevin Smith, Ed Burns, Rob Epstein, and Barbara Hammer have in common? A secret weapon known as Bob Hawk. As a veteran of the American independent film scene since its inception, the cinephile and consultant has been a regular, cherished presence at film festivals and markets for over three decades. Hawk saw promise in scrappy, independently produced films like Clerks and The Brothers McMullen when no one else even knew to look, and he brought these films to the attention of the Sundance Film Festival, thereby launching multiple careers in the process. An unsung champion of new voices, he has discovered innovative work, nurtured new talents, and brokered relationships with film festivals and critics alike, while staying out of the spotlight—until now. At 75, Bob Hawk looks back on a still-vibrant life in independent film, exploring how the rebellious gay son of a preacher found his calling as a behind-the-scenes film impresario.

Marc Huestis edits interviews with 15 men, including himself, around a set of topics starting with "what is sex?" The men are gay, living in or near San Francisco. They talk about their first sexual experiences, the gay scene in San Francisco in the late 1970s, the pall cast by AIDS, the safe-sex movement, getting into serious relationships, the illness and death of partners, pornography, S/M and pain, race and stereotypes, personal fantasies, and bliss. Huestis has a thesis, that sex is going to be with us, so how best do we embrace it? His 15 subjects, archival footage, clips from porn films, and close-up looks at men loving men flesh out various answers.

A feature-length documentary about the making of Kevin Smith's "Clerks" and the commercial success that followed.

A documentary about the production, release and reception of Kevin Smith's 1997 Miramax cult classic "Chasing Amy."

Vulgar is about a man who is a children's clown but has not been getting much luck lately. He lives in a cheap apartment which he can't even afford. Bums are constantly sleeping in his run down car and crashing on his lawn. He has a nagging mother who lives in a nursing home, and his best friend is a moocher. One day he comes up with the idea to become a bachelor clown.

After narrowly surviving a massive heart attack, Randal enlists his old friend Dante to help him make a movie immortalizing their youthful days at the little convenience store that started it all.