Kaoru Osawa

The Underground Water (1996) comes as an ode to water in its forms and to that connected sounds, ice, drinking, mirroring, bathing, washing, pearling on a window, raindrops, reflecting architecture and grey trees. Dry leaves, wooden floors and a young man smoking a cigarette. Windows and doors are preparing the framing. The wind is coming up. Will it rain today? A young woman is pressing her face to a TV screen, all in blue but it is not water refreshing her. In her eyes, you see some hidden memories and dirty tennis balls lying on the street sucking up the drops of the rain.

The Underground Water (1996) comes as an ode to water in its forms and to that connected sounds, ice, drinking, mirroring, bathing, washing, pearling on a window, raindrops, reflecting architecture and grey trees. Dry leaves, wooden floors and a young man smoking a cigarette. Windows and doors are preparing the framing. The wind is coming up. Will it rain today? A young woman is pressing her face to a TV screen, all in blue but it is not water refreshing her. In her eyes, you see some hidden memories and dirty tennis balls lying on the street sucking up the drops of the rain.

Takeshi Hongo is a promising young man with a passion for motorcycle racing. However, his dreams are suddenly ruined when he gets kidnapped by Shocker, the evil secret organization planning to dominate the world. After being remodeled into a cyborg, Takeshi escapes and swears to protect the world from the inhuman monsters.