Based on a research process on the Entity of Film Rating, The Bleeding Screen: Brief History Of Argentinian Cinema Censorship explores Miguel Paulino Tato’s interventions in cinema and audiovisual media during his time as intervener in the 1960s and 1970s.
A history of Argentine horror cinema, from its beginnings in 1934 to present day. It is a path of defeat, dead-end streets and triumphs, where the protagonists will lead us through the lesser known hallways of local horror.
The director’s fortuitous meeting with filmmaker Mercedes Frutos prompts an inquiry into the challenges she faced in her only feature film, New Hope. Shot in 1984 and inspired by a Bioy Casares short story, the film went through a 12-year journey until its commercial release.
