Dhia Cristiani

Gino, a drifter, begins an affair with inn-owner Giovanna as they plan to get rid of her older husband.

Naples, 1880. Two young sisters from a noble family, after losing their parents, get taken in by a friend of their family.

A sailor, Paolo, falls in love with a girl named Luisa. The two decides to get married, but on the day of the marriage the woman is involved in a serious car accident.

Terra di nessuno

A young woman, her sister-in-law and her ten year old daughter are violently traumatised by invading Austrian soldiers. Later, in Verona, both woman discover they are pregnant. After a suicide attempt, one has an abortion the other keeps her child - and both faces struggles with friends and family as they return to their homes.

A young countess is wrongly accused of adultery and shunned by her husband. She leaves and becomes a successful opera singer and when war comes returns to face her accusers, see her son and clear her name.

A glamorous female singer Zazà (Isa Miranda) has an affair with a passerby engineer Dufresne (Antonio Centa). But when Zazà impatiently comes to him in Paris she finds out that he is married and even has a daughter. He wants to escape from his relatives with Zazà, but, disillusioned and exhausted, she rejects his proposition and insists on his coming back to his family.

Venice Film Festival 1942

In a massive department store the driver romances the shopgirl. The problem is that the manager also has his eye on her, and some employees seem to be pilfering goods from the place.

A humble young woman takes care of his sister's child while also hiding her feelings towards her sister's lover.

Sicily, early 1900s. An impoverished prince settles into the house of a rich shipowner and becomes his counselor.

An Italian nobleman seeks help after his paralyzed daughter becomes possessed by the spirit of a malevolent ancestress.

Via delle Cinque Lune

ETTORE FIERAMOSCA was based on a widely-read literary action epic by Massimo D'Azeglio, published in 1833. Translated to the screen in 1938 by the most important director of the Italian fascist period, Alessandro Blasetti, it was intended to boost current patriotic fervor and pride in the Italian nation, and it contributed to a revival of Italian nationalism.