Julie Dusuel

A group of people, possibly only a few survivors from a global sleep which everyone went through in these two years, have woken up and gathered to play a game of Wink Murder.

Through the interview with Captain Heebok Ahn (Korean Air), the film reviews the current working condition and cosmic radiation exposure of the aircrews by comparing the case to a historical industrial accident of the 1920s: Radium Girls. The film suggests that there will always be victims of technological progress and labour complexity. Still, most victims on such occasions are often the most vulnerable people of late capitalism, in this case, women.

Whispering Saucers derives from a sonic transfer experiment on parabolic antennas—in which, by standing at a certain point, the antennas can transfer whispers through their curves and send them further distances. The performers are asked to wander around and make various sounds, but when they face each other, they must mimic one another. Who will mimic who—this enigmatic communication becomes somewhat of a power game. The play of Whispering Saucers suggests that loud and clear communication is not essential to understand each other. What matters is where you’d stand to understand one another.