Jam Binay

“Double, double, toil and trouble,” indeed! Shakespeare’s punchiest tragedy gets a makeover in a way that only the prodigious Filipino multi-hyphenate Khavn De La Cruz could deliver. Unfolding in the Municipality of Marcos, Ilocos Norte and Khavn’s own Burroughsian Interzone of Mondomanila – also the title of the director’s crazed horror-comedy-crime drama, which premiered at IFFR 2012 – this mash-up of styles, genres, moods and atmospheres features a cast of over 100 performers and defies any easy description, even with so familiar a text. But as Khavn says of his source material, "Usually, word is king. Here, text is just one of the many cogs. It’s a column, a roof shingle, an ornament."

PINGKIAN: ISANG MUSIKAL is a full-length stage musical about the life of Emilio Jacinto during the tail end of the Philippine revolution up to the start of the Philippine-American war. Witness the trials and triumphs of a nation on the edge of revolution as Jacinto navigates the complexities of war with an unwavering commitment to the cause of freedom. Jacinto sustains serious wounds in an encounter with the Cazadores at Majayjay, Laguna. As he fights for his life, he is visited by the ghosts of Andres Bonifacio, his closest friend and the revered Supremo of the Katipunan, and Dr. Jose Rizal, his role model for citizenship and civic values. Together, they delve into Jacinto's haunting nightmares and aspirations for a heroic death— an introspective exploration that serves as a poignant examination of the Katipunan's conscience and his definition of Freedom.

Based on the life of Edgar Jopson, a young man from an affluent family, who became an underground activist and confronted President Ferdinand Marcos and his regime of terror.