Tatang, a systematic and melancholic widower, loses his enthusiasm for his routines when he begins to realize that he needs the presence of Caca, his only daughter in his life.
A young girl realizes she has forgotten her late father's smile when her mother asks her to paint their faces.
As Ratna, a filmmaker, approaches her wedding day, she learns what it's like to be a model housewife.
A veiled figure walks through a narrow alley, carrying a mysterious bottle to a tabligh akbar (Islamic gathering), where a kiai (Islamic cleric) delivers a sermon that takes a demeaning turn.
