Pascal Deelstra

Burdened by an irrational fear of being pushed onto the metro tracks, a woman muses on what it is to fall. To fall flat, but also to fall heavily in love, deep into sleep, or into a holiday pool that time on a faraway Greek Island at 2am. Water acts as an important element. Waves keep crashing, summoning Deeply, Madly as an obsession with moments of be­ing mid-motion—bodies, emotions and time that all succumb to gravitational forces—from the lovesick, to the slapstick, to the macabre.

John struggles to adjust to life in a new city. Despite help from his friend Dylan, who encourages him to be more social, John remains reserved. His noisy, quarreling neighbors push him to confront them, leading to an honest conversation with his neighbor Hannah. This interaction challenges both, prompting John to slowly embrace the process of finding connection and harmony in his new life.