Brian Jackson

It s Christmas Eve in London, 1974 - and seven lonely people are on the town, looking to grab that elusive slice of enjoyment. So who better to contact than an escort agency- providing high-class ladies and gentlemen for anyone willing to pay the right price. But even in the saucy seventies, things weren t that easy- and our intrepid pleasure seekers have to face everything from inadequacy, rejection and catharsis to racism, violence and grand theft. Just goes to show how lonely a place the throbbing metropolis can be, especially during the holiday season...

Alfie Singh, accountant turned film producer, has a great idea for a film. It's called Ealing Comedy and it's about an accountant turned film producer called Alfie Singh. Alfie will play himself and his real son, Paul, will play his son in the film. Turned down by all the financiers, Alfie vows to make the film himself. His life with his wife and teenage son and his struggles to finance and make films in the UK are all woven together in a series of mad-cap events, resulting in a very British film

When Terry (Grantham) is sentenced to a twenty-year stretch for a murder he did not commit, his wife Sam (Dobson) discovers that his apparently respectable business life has in fact been a cover for a vast criminal empire - drugs, protection, armed robbery, he was involved in it all. After the initial shock of the discovery has passed, Sam finds herself faced with a clear problem: should she leave it all behind, forget Terry and start her life afresh, or should she take charge of the business in her husband's absence?

Set in the future, a group of terrorists with an android leader storm a hospital when the President's daughter is inside, taking her hostage. To find a way of freeing her, the police decide to consult the architect who designed the building, but he's currently in jail for some crime, and the punishment of the future is to be frozen solid for one's sentence. The cops accidentally thaw out the wrong guy, a football player who decides to keep the mistake a secret and help the police in exchange for his freedom. Will he be able to defeat the terrorists and rescue the hostages, despite not knowing the first thing about architecture?

Chief Inspector Jacques Clouseau is dead. At least that is what the world—and Charles Dreyfus—believe when a dead body is discovered in Clouseau's car after being shot off the road. Naturally, Clouseau knows differently and, taking advantage of not being alive, sets out to discover why an attempt was made on his life.

A wheelchair-bound young girl returns to her father's estate after ten years, and although she's told he's away, she keeps seeing his dead body on the estate.

Tame comedy in which Julie converts her stuffy husband Roger and his equally prudish parents to the joys of nudism.

In prison the night before his execution, republican preacher Hugh Peter prepares to be hanged, drawn and quartered for treason

Toothsome Tracy Reed (remember her in Dr. Strangelove and A Shot in the Dark?) heads the cast of Deadly Females. The ladies in question are female assassins, specializing in knocking off lascivious males. Like the proverbial black widow spider, the girls lure their victims with promises of sexual favors, then strike when said victims are exhausted. Naturally, this requires plenty of exposed female flesh.

Having recently found God, self-effacing young nurse Maud arrives at a plush home to care for Amanda, a hedonistic dancer left frail from a chronic illness. When a chance encounter with a former colleague throws up hints of a dark past, it becomes clear there is more to sweet Maud than meets the eye.

The Protectors is a British television series, an action thriller created by Gerry Anderson. It was Anderson's second TV series using live actors as opposed to electronic marionettes, and also his second to be firmly set in contemporary times. It was also the only Gerry Anderson produced television series that was not of the fantasy or science fiction genres. It was produced by Lew Grade's ITC Entertainment production company. Despite not featuring marionettes or any real science fiction elements, The Protectors became one of Anderson's most popular productions, easily winning a renewal for a second season. A third season was in the planning stages when the show's major sponsor pulled out, forcing its cancellation. The Protectors first aired in 1972 and 1973, and ran to 52 episodes over two series, each 25 minutes long - making it one of the last series of this type to be produced in a half-hour format. It starred Robert Vaughn as Harry Rule, Nyree Dawn Porter as the Contessa Caroline di Contini, and Tony Anholt as Paul Buchet. Episodes often featured prominent guest actors.

An English aristocrat and an American millionaire come together to tackle crime.