Emile Abossolo M'bo

An anthology of 5 different cab drivers in 5 American and European cities and their remarkable fares on the same eventful night.

On the one hand, there’s the desert eating away at the land. The endless dry season, the lack of water. On the other there’s the threat of war. The village well has run dry. The livestock is dying. Trusting their instinct, most of the villagers leave and head south. Rahne, the only literate one, decides to head east with his three children and Mouna, his wife. A few sheep, some goats, and Chamelle, a dromedary, are their only riches. A tale of exodus, quest, hope and fatality.

Four racists plan to assault a local Arab man, but soon things get out of control.

Antoine is a social wannabe who drops an elusive aristocrat's name to get into an exclusive party. The name - Jordan - gets him whisked by two burly bodyguards into the office of the host, von Bulow, who won't accept Antoine's admission of lying, gives him $100,000, and promises $900,000 more when led to Jordan. Enticed by the money, Antoine, with the help of his friend Étienne, begins his search. He follows trails through Paris's night scene, gets beaten up and bitten, and meets Jordan's sister, Violaine. After a surreal night, he's hooked on her charms but leery of continuing his pursuit of Jordan. Von Bulow insists. Can he find Jordan, get his reward, and attract Violaine?

Adam Ousmane is a pool attendant at a local resort. When the new managers decide to downsize, Adam loses his job to his own son, Abdel. Shattered by the turn of events, Adam is pressured into contributing to the Chadian war effort. With no money to speak of, the only asset he can donate is his son.

After his wife leaves him, Fred goes on a cross-country crime spree in this dark but dreamy French comedy.

The film is a sub-story to Kirikou and the Sorceress rather than a straight sequel. The movie is set while Kirikou is still a child and Karaba is still a sorceress. Like Princes et princesses and Les Contes de la nuit, it is an anthology film comprising several episodic stories, each of them describing Kirikou's interactions with a different animals. It is however unique among Michel Ocelot's films, not only in that it is co-directed by Bénédicte Galup (who has previously worked with him as an animator) but also for each of the stories being written by a different person (in all other cases, Ocelot has been the sole writer and director of his films).

On the eve of his fiftieth birthday, an actor discovers that he's got stomach cancer. He must now face his shattered life.

Executive Orders

When Norwegian scientist Marie attends a seminar in Paris on the actual weight of a kilo, it is her own measurement of disappointment, grief and, not least, love, that ends up on the scale. Finally Marie is forced to come to terms with how much a human life truly weighs and which measurements she intends to live by.

Best friends Majolie and Chouchou are two beautiful young women trying to get ahead in a near-future Cameroon. After accidentally killing a powerful politician during sex, the two come up with a plot to dispose of the body, and get into the glamorous wakes that have taken over the local nightlife.

In the eleventh film in the series, in December 1916, Indy, still stationed in Africa, is promoted to Captain and then ordered to cross the jungle with Remy and Captain Boucher to pick up a shipment of weaponry. Along the way, Ubangan Sergeant Barthélèmy picks up the sole surviving child from a disease-ravaged village despite Boucher's orders against it. On the way back, Indy and company succumb to disease themselves, and are picked up by Albert Schweitzer and the orderlies from his jungle hospital. At first resistant to being treated by a German, Indy soon begins to realize that Schweitzer is not interested in war, only attempting to cure people against all odds.

A genetically engineered assassin with deadly aim, known only as "Agent 47" eliminates strategic targets for a top-secret organization. But when he's double-crossed, the hunter becomes the prey as 47 finds himself in a life-or-death game of international intrigue.

Ezra, jeune ex-soldat Sierra-Léonais, essaie tant bien que mal de retrouver des repères pour revenir à une vie normale après la guerre civile qui a ravagé son pays. Son quotidien est partagé entre un centre de réhabilitation psychologique et un tribunal de réconciliation nationale organisé sous l'égide de l'ONU. Durant le procès en réhabilitation auquel Ezra participe, il doit affronter sa soeur qui l'accuse du meurtre de leurs parents. Ezra, qui a traversé cette violente guerre civile complètement drogué et alcoolisé, ne se souvient de rien. Ezra reconnaîtra-t-il l'horreur et par ce fait, permettra-t-il à sa soeur et à sa communauté villageoise d'accéder au pardon ?

Outwardly a chilling portrait of the aimless lives of unemployed inner city youths living on society's fringe, the underlying message of this volatile drama seems to call for violence to rectify social injustices. The film centers on two teenaged gangs who basically terrorize their neighborhoods with their anarchic behavior. There are few limits to their unpleasant philosophy of "desire equals acquisition." The loosely structured tale reaches its climax at a concert where the two rival groups collide.

1981. Hubert Bonisseur de la Bath, aka OSS 117, is back. For this new mission - more delicate, more dangerous and more torrid than ever - he is forced to team up with a young new colleague, the promising OSS 1001.

12 year-­old Adama lives in a remote village in West Africa, sheltered by the cliffs. Out beyond lies "the world of wind," the kingdom of wicked spirits hungry for war. When his elder brother Samba suddenly vanishes from the village, Adama decides to set off in search of him, crossing into a Europe in the grip of World War I.

Back home one evening, Nathalie finds a man in her bathtub, a stranger who claims to be a pygmy. He is there, alone, and just wants to talk... Gradually Nathalie forgets her fear, seduced by the strange and lyrical vocabulary of this intruder, this deceptively naive poet. Despite the arrival of her companion, Nathalie begins to dream of a trip to distant shores

France, 2033. Olivier, an engineer, and Pauline, a teacher, decide to emigrate to the United States of Africa because they can no longer live in their country.

Max wakes up one morning and discovers that his wife Hélène has left him in his sleep, without a word, taking their two children with her. He doesn't understand. The nights drag on, his demons get involved, he chooses to face them and to anchor himself in reality. He probes his feelings, revisits from top to bottom the artifice of his life. Max ends up rediscovering his love for Hélène and decides to win her back. But isn't it already too late?

Diane, a young woman in search of a child, is looking for money to go to the sperm bank. She crosses paths with Arthur, a bank robber.

Kongo lives in Brussels, in the « Matongé » district on which he is writing a book. His editor wants a kind of traveller’s book spiced with ethnic ingredients. However, the writer is inspired by the vision of the complex and tormented souls that he meets anywhere, night and day. Kongo Congo follows invisible threads connected to Congolese history and its ghosts. How is it possible to hold on in this chaotic history? By having «juju», selfconfidence, and Beatrice’s love.

A Colombian woman arrives at a French airport, she acts suspiciously and appears to be concealing something in her locked case. However a search of her bags and her body reveal something customs didn't expect.

In Julius Amédée-Laou's biting dramedy, a supposedly joyful interracial wedding descends into chaos when long-buried prejudices and family secrets rise to the surface. Told through the cocky lens of the bride's younger brother, what begins as a lighthearted summer affair turns nightmarish as scandal threatens to destroy the unlikely couple's big day.

In Paris, men are waiting for a possible daily job in an agency. Among them, two novices Jean-Pierre and Théo. They find themselves in the suburbs to make a regular move.

Duncan MacLeod cannot die -- he is a 400-year-old immortal, who has seen his share of humanity's history. Still, he risks his life in battle against other immortals and tries to save people from harm.

Duncan MacLeod cannot die -- he is a 400-year-old immortal, who has seen his share of humanity's history. Still, he risks his life in battle against other immortals and tries to save people from harm.

Brigade des mineurs 2002