Claude Maki

Golden Wolf: Resurrection

Golden Wolf: Resurrection 2

At some time in the 21st century, Japan's economy is in shambles. Riots and terrorism are the norm. The government buys up television stations in a last-ditch effort to promote nationalism and order to the nation. But this is the dawn of a new dark state. A new form of 3 on 3 basketball is developed in which anything goes, and the winner of the game is the team with the last man left standing.

Former yakuza underling Kazuma Kiryū has recently been released from prison after a lengthy incarceration and is trying to piece his life together and distance himself from his yakuza past. Unfortunately, Kiryū's problems slowly escalate as he is pursued by a former associate, the baseball-bat-wielding psycho Gorō Majima, who has a grudge to settle with Kiryū.

Natsumi which has been moved to a deceased mother's family in Izu, to change schools to the same high school as the cousin, driven into lacrosse. But one day, you know the father and his secret.

Two rogue vagrants make their living as “manure men”, turning the waste from the tenement toilets into fertiliser sold to local farmers. Enter Okiku, the only daughter of a fallen samurai, and amongst the overflowing piles of excrement, a well-nourished love story unfolds.

Jun Wataguchi lives a lazy, half-hearted life, not going to school, hanging out with half-witted delinquents, and begging money from his friends. His parents, who run a shipping business transporting earth and sand for reclamation by boat, manage to get by, despite the dwindling number of jobs and lack of successors over time. Jun showed no interest in his parents' business, and the father and son hardly ever spoke to each other. One day, one of Jun's friends is attacked by someone and an unexpected person emerges as the culprit.

Based on a celebrated book by Kuniko Mukoda, this film directed by Yasuo Furuhata tells of a close friendship undone by love.

The Isokaze, an Aegis-class escort vessel, sets sail on a routine training exercise, playing host to a platoon from the Fleet Training Group. No sooner is the Isokaze on open water, however, then the FTG reveal themselves to be terrorist stowaways who kill the ship's captain, send the rest of the crew overboard and take control of the vessel. The ship is carrying a secret biological weapon which the terrorists are now threatening to use to level Tokyo! Only a stowaway NCO, Sengoko (played by Sanada Hiroyuki from Ring and Twilight Samurai) is in a position to stop them - but does he really have what it takes to save the day? Playing like a cross between a sea-faring version of Top Gun and Die Hard, director Sakamoto Junji shows that it's not just Hollywood that can produce thrill-a-minute action spectaculars.

Five young musicians, each harboring painful memories, are assembled to entertain American soldiers at an Enlisted Men's Club. Tensions emerge between the tenor saxophonist, a disillusioned ex-soldier, and a bitter GI whose brother was killed in the war. And when the band plays the prohibited "Danny Boy" during a birthday bash for a sergeant whose son Danny had died a year ago, everyone must confront a past they'd rather forget.

An odd journey starts as Mitsuru, a private detective, and a boy, whom a dying mobster entrusts to him, decide to go to northern Japan in search of the boy’s mother, and the detective’s buddy Hisashi joins them later.

Hisashi gets fired from his temp job due to his impulsiveness. One day he meets Chikako, a housewife who constantly shoplifts at the supermarket he regularly goes. He somehow agrees to help her to look for her run-away son, Masaru. Unfortunate to Hisashi, Masaru starts following his around instead of returning home, after he was found by Hisashi. Then they end up stealing a gun from a police officer! In their course of running away, the similar two who cannot adapt to society very well start to develop a mutual friendship…

A young Japanese boy's life is changed when his sister returns to the small island, full of eccentric characters, where he lives.

A detective and a businessman search for a serial killer who removes people's organs.

An interpersonal drama adapted from popular motorcycle manga "Kirin". It portrays the life of a biker who only feels alive in the world of speed. Its battle race between a motorbike and a Porsche on a public road is a thrilling highlight. Its director is Otsuru Gitan, who is also active as an actor. Kirin (Maki Kurodo), a legendary ex-bike racer, now leads an ordinary life as a company employee. However, one day he discovers the beloved bike he used to ride at a motorcycle store, and decides to take on the Porsche he raced in the past once again.

A deaf garbage collector happens upon a broken and discarded surfboard. The discovery plants in him dreams of becoming a surf champion. Encouraged by his also deaf girlfriend, he persists against all odds.

About 150,000 illegal entrants live in Tokyo. They are not recognised as refugees and live in poor conditions. To protect themselves, the illegals create a secret organisation. The organisation has a bank which Japanese Financial Services Agency is not involved with, a hospital that is not authorized by Japanese Ministry of Health, Labour, and Welfare and an illegals police force called "Dias Police." The only police officer in the organisation is Saki Kubozuka (Shota Matsuda). His age and nationality is unknown. Saki Kubozuka does not speak much, but he has a warm heart and strong sense of justice. He takes care of the weak and tries to maintain public order.

A Japanese Yakuza gangster's deadly existence in his homeland gets him exiled to Los Angeles, where he is taken in by his little brother and his brother's gang.

Writer-director Gu Su-yeon's new film draws on his own semiautobiographical account of growing up as a delinquent zainichi Korean (Japanese-born, but of Korean ancestry) in the seaside city of Shimonoseki in Yamaguchi Prefecture, a working-class hellhole overflowing with sex and fury. Day after day, (fictional) Gu finds fresh foes and makes the local hoodlums want to kick his ass. While working multiple dead-end part-time jobs, he cruises around town on his scooter in search of gangland trouble: leaping across rooftops with irate hordes of punks in hot pursuit, running off with a fetching belle in a sailor suit, rescuing a schoolgirl from being gang-raped at a glue-sniffing orgy…

A cadre of backup dancers is left astray when their star singer moves on with her life and marriage. They each had their own ambition and hope, which subconsciously rested on the star power of the singer. When plan A does not work, they cling to plan B. When that does not work, in an act of desperation, they are assigned to plan C by their agency. A fight and unprofessionalism seems to put the Backdancers on permanent ice.

Grandiene has been waiting for the day of resurrection, the day when the planets are in the alignment of the Grand Cross. Her children descend to the Earth to make it a realm of darkness for her. Ten years prior, Doctor Tatsumi of the Tatsumi Disaster Prevention Institute predicted this event, but nobody believed him. He left his family so he could secretly develop and construct the Rescue System. Now in 1999, Doctor Tatsumi appears again to give the means to save the world to his children as the GoGoFive team.

BAZOOKA!!!

Gift is a drama that aired on Fuji TV. It first aired in Japan from April 16, 1997 to June 25, 1997 every Wednesday. It features music by Bryan Ferry and Howard Jones. It raised several issues in Japanese society, due to its casual use of a butterfly knife and its resulting violence.

Inspired by American TV movies like "Hitchcock Theater" and "The Twilight Zone," the show features multiple works with Tamori as the storyteller and actors as the main characters. While horror and supernatural themes are predominant, a variety of genres like comedy and drama are also produced. Most episodes, however, have a bad ending.

やすらぎの刻〜道

Aoshima is a rookie detective who has come to take a post at the Wangan Police Station in Odaiba. But what awaited this ex-salesman looking for stimulation was petty work and a rigid hierarchical control. Big cases are being handled at the main headquarters and the local police station is treated as if it were a nuisance. He is disillusioned by the fact that policemen are not superheroes and belong to a top-down organization. Living by his motto, “Cases don’t happen in the conference room, but at the scene,” Aoshima steadily influences his colleagues through his cheerfulness and strength.

梦中情人