Liao Yuan-ching

This spectacularly eccentric satire by Su Hui-Yu draws on 1970s Taiwanese TV culture and has a roller-skating Hitler dance with Stalin and Mao do the same with Chiang Kai-shek. A revue show of dictators in cahoots with the entertainment industry.

In the early 1980s, hundreds of the so-called female revenging/exploitation films were produced in Taiwan. The 2020 version was based on the old genre to recreate a fantasy of the bloody revenge. The film is one of Su Hui-Yu’s “Re-shooting” series, which re-visits historical sources in Taiwan during the old days around the 1970s-1980s while the country was under martial law governance.

On a planet where a long-standing martial law prevailed, the earthman living in exchange for time, strictly adhered to discipline and worked tirelessly. One day, they were invaded by the Devil's Party from the “Funkmi Galaxy”, where indulgence and obscenity rules day and night, posing an unprecedented threat to the Earthman’s morals. Meanwhile, the Space Worriers from the same Funkmi Galaxy were determined to protect these hardworking creatures at all costs.

An apartment. Two nights. A strange romance between a lonely policeman and a senior player.

Originally designed as a multi-channel video installation, the film The Walker ingeniously deconstructed the background stories and the plays of the legendary Taiwan Walker Theatre which pretty much represents some underground culture scenes of 1990's Taipei. Based on a multi-character narrative structure, the film re-interprets the velocity, prime-time, rebellion, physical pleasure and ethical minefield referred to in these plays. With its Dream-like images, The Walker reminds us of the utopia pictured previously by the Taiwan Walker Theatre, indicating a polysemous, hybridized art world whose components range from the sublime to the ridiculous.

A sudden blackout spreads through the community, and as rumors circulate among the residents, a power outage somehow becomes a harbinger of war. Amidst the panic and fleeing crowds, Liu reacts very differently — he simply wants to keep his fish alive. The fish, however, isn't just any fish; it speaks. On this strange night, with an arrogant fish in tow, Liu embarks on a journey to explore the possibility of mutual understanding.