Borger Breeveld

Back in his native Suriname to see his dying mother, an Afro-Surinamese student from the Netherlands’ former colony finds himself torn between his Amsterdam-based life with his white Dutch girlfriend and a future in his newly independent homeland when he falls for a local Hindostani nurse.

The musical adventure of the 16-year-old Jasmine who goes to Suriname to attend a song contest, but secretly is looking for her mother.

When nine-year-old Wiren meets the American Dr. Young a world of opportunities opens up for the small deaf boy. Driven by his ambition to get ahead in life he leaves his life in rural Nickerie behind and winds up at the Kennedy boarding school in the capital Paramaribo. He struggles to comply to the strict, conservative Catholic methods at the school, but turns out to become the catalyst for the change that leads to the introduction of sign language. After being rejected by the university he realizes that deaf people do not enjoy the same rights and opportunities as hearing people. Witnessing the constant withhold of deaf people in Suriname leads Wiren to seek justice by suing the government to coerce them to adhere to the Convention of the Rights of People with Disabilities. Will he succeed?

Three thugs assault a newlywed couple, raping and murdering the bride. The groom is accused of murder, but escapes from the police and hunts down the perpetrators. Filmed in Suriname.

A coming of age story centered around a young guy of Dutch-Surinamese decent. We follow him on his quest to find the ultimate love which eventually leads all the way to Surinam where he finds a love far greater than solely his object-of-affection.

"Pim is more consummate," actress Willeke van Ammelrooy concluded upon seeing Pim de la Parra again in Suriname, at the presentation of the restored version of his film Wan Pipel. This marked the end of her disagreement with the director, which arose during the making of this film, some 35 years ago now. The charming director doesn't seem like the kind of man you can stay angry with for long. Wan Pipel turned out to be a watershed in the career of this headstrong filmmaker, who shook up the Dutch film world in the late 1960s. Although he went on to fight back with his so-called "minimal movies," he would never again get the opportunities his talent and inventiveness deserved. In Parradox In-Soo Radstake provides a personal portrait of De la Parra, now 70 years of age, who after many adventures in the Netherlands has returned to his native Suriname. He discusses the major themes of his life and work, which for a long time coexisted: too many women, too little money, too much ego.