Marin Yanev

XVII century, Bulgaria is under Ottoman rule. Four men break into the house of the shepherd Karaivan, raping and killing his wife in full view of their child, Maria. To protect his daughter and to enact revenge, he raises Maria as a son, teaching her to fight and kill. But as Maria grows up, she longs for a different life.

Gynecology clinic in Sofia, Bulgaria. On one of the floors several women are waiting for their turn to get an abortion. And on the other floor, four older women struggle to preserve the life they carry. Toni must decide whether to give birth to a child who will not have a father.

Nurse Nikolova takes care of the elderly. She faces various human destinies. Her patients spend the rest of their lives alone. They seek from her what they have not received from their own children. They love her. Nurse Nikolova touches on the complex problems of human existence.

In the last week of her summer trip to her dead grandmother's village, librarian Slavina is faced with a difficult choice. Either throw away the books of the village, obeying the corrupt regulations of the chief ì Dimitrova, or save the only source of information for the elderly population, vowing to exile in the village where time has stood still for 40 years.

On a bright day loudspeakers blare out choral songs which blend with the marches played by brass bands. A light plane scatters leaflets. Everybody stretch out their hands to catch the falling pieces of paper and look up smiling. Several leaflets fly by the wall, which has a memorial plague, fixed on it: "Vaskata, an antifascist resister, died here in 1942."

Having remained alone in his village house, old Gatyo must move in with his son and daughter-in-law in their flat in the city. They receive him with great understanding and sympathy but cannot find the key to his heart. Torn out of his natural environment and left bewilderingly rootless, this good man cannot adapt himself to the urban way of life. He does not like the mayonnaise he is offered, does not know how to use the lift. The people hurrying in the streets seem to him indifferent, and some even sly and deceitful. He sees the city as a place full of hostile people and inanimate objects. He badly misses the warm human touch of his village. Death is the only possible solution to the tragic conflict of this peasant, crucified between the archaic and the modern, and unable to adapt to the urban lifestyle.

The three grotesque novels whose action takes place at different times of the recent past are united by a common thematic key – their protest against violence and militarism, expressed by means of a kind of absurd humor.

In a large provincial town, two friends Nasko and Raycho meet Emil, a conductor in the opera, who introduces them to Ana, an opera singer. Nasko and Ana fall in love. Nasko has to write a story for the newspaper about the irregular enrollment in college of Aneliya, the daughter of the local bigwig. A well-known director arrives from the capital for an opera premiere and makes advances to Ana. Aneliya comes to demand an explanation in Nasko's home. Ana finds her there and decides to take her revenge on him. She becomes intimate with the director. The story about the Aneliya case is ready, but as desk editor is drunk, Nasko fakes his OK signature. He sham is discovered. The relationships between the erstwhile friends are marred by insincerity, falsehood, tacit intrigues. Nasko plucks up courage to tell his friends the truth. In this way, he wins back Ana's love and he boy's trust.

The police trucks and the piled up dead partisans in the village square shatter the peace of the village. The people manage to not only bear these extreme conditions, but also manage to take part in history. An army blocks off the village. Arrests and interrogation are common. The partisans are hiding in the forest. One of the soldiers manages to run off to them. The pot maker is among their aids and is killed while completing a mission.

A family evacuates to the Bulgarian countryside during World War II

A young partisan faces the moral questions of the Revolution

The story of St. Cyrilus (Constantine The Philosopher) in his quest of enlightening the Slavic people.

Sicily, 1865. Two peasants, Gramigna and his father are tricked by Baron Nardò and robbed of their field, which then the baron lets to Assunta, her daughter Gemma and her fiancé Ramarro. Determined to take revenge, Gramigna begins to hunt down Nardò's complicit mediators. Unbeknownst to Gramigna, Gemma, to escape her arranged marriage, goes after him. Love and violence will follow all till their desperate ends.

An Oxford Medical School graduate takes a position at a mental institution and soon becomes obsessed with a female mental patient, but he has no idea of a recent and horrifying staffing change.

This is an epic screen presentation showing the creation, the consolidation and the power of First Bulgarian Kingdom and the first Bulgarian ruler Khan Asparuh. This is the first part of the film trilogy about the events before the creation of the Bulgarian state in the middle of the VII century. Volga Bulgaria is straining under the attacks of the Khazars. Following the testament of his father, the sons of Khan Kubrat looking for a new home for their tribes. The youngest of them - Asparukh, wander 20 years in search of "land forever" for his people and reaches the mouth of the Danube. The film is narrated by captured Byzantine chronicler Belisarius, which should Asparukh in his journeys. Byzantine witnessed the heroic efforts of the Bulgarians to win the land south of the Danube and to create their new country.

This is an epic screen presentation showing the creation, the consolidation and the power of First Bulgarian Kingdom and the first Bulgarian ruler Khan Asparuh. The second part of the great historical epic - "The Migration" - tells about the long journey to the land of the Bulgarians of today's Bulgaria. Here the young Khan Asparukh laid the foundations of the new state. The authors adhere to the established historical versions for this event. The film builds on the impressive mass scenes and the convincing served psychological characteristics of the main characters. The image of Asparoukh is a natural center of the story, in which many minor persons recreate the environment of the Khan. Romantic exalted, Asparukh is shown as capable leader of the people, consistently implement his own ideas.

The last part of the epic "Khan Asparukh" - "Land Forever" is an impressive finish to scale narrative, created for the nationwide celebration of 13 century anniversary of the Bulgarian state. The authors collected in final chord all storylines, culminating in the political strengthening of the young Bulgarian state. In the center of the film epic again is the image of Khan Asparukh - a lofty romantic hero who embodies the virtues and energy of his people.

Большая игра

Васко да Гама от село Рупча

Lord and Lady Glenarvan found a bottle in the ocean. This bottle contained a letter from Captain Grant that he and two of his sailors had survived a disaster at sea and need help. Unfortunately, the letter was damaged by water, and the latitude is known (37 degrees), but not the longitude. The Glenarvans decide to find Captain Grant.