Robert Calvert

A young conservative black man, minding his own business, rides a nearly empty subway car. The only other passenger, a blonde vixen looking for trouble, sizes him up. Sexual tension, racial bigotry and righteous fury collide in a razor's edge confrontation between this unlikely pair.

Belfast 1972: The politically naive Bernie is trying to bring up a normal family in less than normal surroundings. Her best friend is accidentally shot dead by the IRA, and her neighbours are constantly raided by the army. In this climate of fear she stands up and condemns the murders. Criticising both factions, her call for a ceasefire is interpreted as an attack against the IRA, and as her peace movement takes momentum, she and her family are placed in the frontline.

Shot mainly in South East London, it’s about Micky Mason, a skilled manual worker who, since the Crash, can find nothing but menial zero hours jobs. He takes a course of action that is completely out of character, but it’s the only way he can see of keeping his family together. It is about surviving, but it’s not all anguish and despair - it’s also warm and tender, and funny. It's about people finding their way through. It’s about Micky Mason; a man out there, right now, doing his best.

While researching an ordinary real estate transaction, title examiner Leah Farrell uncovers the mystery of a missing woman. When she is threatened by hoods for snooping around, she turns for help to Assistant District Attorney Paul Shaughnessy. As Paul tries to protect Leah from danger that looms from all sides, romance blooms.

Amidst the political conflict of Northern Ireland in the 1990s, five secondary school students square off with the universal challenges of being a teenager.