Antônio Abujamra

The true story of the boy who became famous when he was cast for the main part on the Brazilian film Pixote: A Lei do Mais Fraco (1981). After the film was over, he tried to work as an actor on other projects, with little success. As time went by, he got involved with crime.

In São Paulo, Brazil, the lonely 40-something guitar teacher Baby lives a tedious life in a low middle-class apartment. She is addicted to her only companions: cigarettes. Baby has a constant conflict with her two sisters, over a couch she inherited from their deceased aunt. When Max, a restaurant musician, moves to the next door apartment, Baby has a crush on him and sees a chance to have a life again. Soon they start having a love affair, and Baby decides to quit smoking. However, her abstinence will be tough to deal with, when she notices Max still misses his ex-wife.

A middle-aged, wealthy man who lives in an upscale neighborhood in São Paulo, goes to put on his shoes and finds that his foot is no longer the same – it has changed for the worse. This gesture is the trigger for a reflection on life, the passage of time and the difficulty in understanding the present day.

In a Rio de Janeiro after the catastrophe, only the hills were immune to a flood that left the asphalt submerged. While the Navy is rationing provisions and some are sacrificing themselves to avoid starvation, a diver goes to the bottom of the sea and finds a submerged civilization there.

Cartas da Mãe

This film documents in depth the life and artistic trajectory of the musician and poet Itamar Assumpção. He was one of the pillars of a moment of Brazilian popular music that was conventionally called "Vanguarda Paulista". Starting from extensive research which resulted in more than 250h of images and a dive into the personal universe of this incredible artist, Itamar comes up with a poetic, intuitive plot where facts and testimonies speak louder than preconceived ideas.

Free adaptation of Machado de Assis's short story "Pai Contra Mãe", having some of Nireu Cavalcanti's 18th Century chronicles as inspiration, the film traces parallels between life in during the slavery period and in modern Brazil.

The film tells the story of an intuitive, adventurous man who loved his country and being Brazilian. This man fought to be loyal to himself. His music is a transparent portrait of his genius, intuition, freedom, adventure and passion for Brazil.

"The Baron" wanted to commit the perfect heist involving 3 tons of money and no violence. For this he would need the right people willing to get 1 million dollars to take part in this job. Based on true events, in 2005, 168,000,000 Brazilian Real (almost 80,000,000 US dollars) were stolen from a Brazilian Central Bank (Federal Reserve), making it the biggest peace-time robbery in history. It was perhaps the most audacious bank heist ever.

The life of Carlota Joaquina, the Spanish infanta who met the prince of Portugal when she was only 10 years old and was immensely disappointed with her future husband.

A Jewish teenager goes to a Catholic school and falls in love with a black Catholic girl.

A documentary chronicling the life and works of Brazilian poet, songwriter, journalist and avant-garde filmmaker Torquato Neto, from his beginnings to his suicide at the age of 28.

A film director faces a complex situation in the production of his new film: Laerte, the protagonist of the story, begins to renegade her former characters, the Pirates of the Tietê. Lost in this situation and determined to be faithful to his whims after seeing the approach of death, the director decides to tell his drama mixing his persona with the story, creating a chaotic labyrinth between fiction and real life.

In a monologue, a man expresses his distaste for the artistic community.

In a monologue, a man expresses his views over the international selling of the Amazon rainforest.

In a monologue, a man explains his thoughts on the exploitation of Brazil's native people's resources.

In six decades, Teatro Oficina has done more than revolutionize theatrical language in the country: the aesthetic influence of José Celso Martinez Corrêa's company extends from Tropicalism to the renewal of Brazilian audiovisual languages ​​from the 1960s onwards. The film revisits a story that it involves personalities such as Caetano Veloso, Glauber Rocha, Lina Bo Bardi, Chico Buarque and Zé do Caixão, brings together scenic art, ecology, architecture and sexuality, and mixes art and life in the search for a Brazilian based language.

"Portraits and excerpts from Brazilian films from all times. Actors, directors and images that affirm cinema."

At a poker table, five players discuss the possibility of having, in the Olympic Games, instead of the bow and arrow, the game of poker as an official modality.

In the midst of a disguised civil war, a cowboy and an executive settle the accounts of Brazilian social apartheid. Taking kidnapping as a starting point, the panorama of urban violence is outlined in a very good mood, in a kind of scintific fiction about the third world.

Collective film with five segments around the works and life of brazilian writer Oswald de Andrade.

Loosely based on an Oswald de Andrade screenplay, "Perigo Negro" is a segment of anthology film "Oswaldianas" which deals with a uprising soccer player who has his career spoiled by a unscrupulous gambler

Based upon the life story of Father Antonio Vieira, born in Lisbon in 1608 and deceased in Salvador, Bahia, in 1697. He's considered the first Brazilian writer and one of the most important aesthete of linguistic and of the Portuguese language of all times, a master in the art of metaphor, of verbal relations and analogy. He was persecuted and condemned by the Portuguese Court of Inquisition due to his position against native slavery, against the intolerance to the Jewish people and to the colonial politics of exploration.

A harmonica player, a player pool and his old assistant are invited to animate a rich people's party but time passes and they are never invited to introduce themselves. While waiting in the lobby witness all sorts of absurdities as the party goes on and guests are becoming more uninhibited.

A beautiful woman is found dead, with a peach in her mouth, a bite in her butt and without blood in the body. When other women are found dead in the same modus-operandi, the police gives the nickname of "Vampa" to serial killer. Detective Leôncio is assigned to investigate the murder together with fetishist photographer Oscar. Without any lead, they decide to follow a sexy and popular night-club dancer on the streets of São Paulo, trying to identify possible suspects.

Brichos 2: A Floresta é Nossa

Raimundo, film producer, asks financial aid to his friend and producer J.C. to evaluate his own project. J.C. conditions his support to a change in Raimundo's style. Raimundo will have to make a movie aimed to the general audience and following the old producer's book: violence, sex, non-actors and slum. Raimundo does what he says, but an unexpected fact threatens the film's conclusion.

In the 19th century, rich farmer with a passion for music dreams of having an orchestra. He hires a conductor, to help him organize the musicians. But the man falls in love with his daughter.

Lua Cheia

From his origins as a poet to his success as a singer and composer, Arnaldo Antunes revisits the most remarkable moments of his career.

William is a middle-aged writer who lives alone in a small, untidy house and can't settle down doing what he loves. Confused and distressed, he flirts with death. With the rope around his neck, about to jump off a chair, the man looks around at his house and sees little “magical” objects that remind him of his past and passions, thus making a decision.

A portrait of the evolution of theater in the 20th century and a deep reflection on the art of acting through the career of Paulo Autran (1922-2007), one of the greatest actors in Brazil.

A deep dive into the life and work of Brazilian actress Maria Alice Vergueiro. The documentary explores her turbulent beginning in the theatrical world, highlighting her strength and courage during the Military dictatorship in Brazil, which culminated in the foundation of the Teatro do Ornitorrinco.

Festa

Fred is a blind boy who lives alone with his mother. Out of his dull routine, in which nothing ever changes, he speculates continually about the color of things and claims to prefer the color white, which represents for him everything that is unattainable.

Andando nas Nuvens

O Mapa da Mina

Que Rei Sou Eu?

Começar de Novo is a Brazilian telenovela produced by Rede Globo and displayed in its traditional schedule of 19 hours between 30 August 2004 and April 16, 2005. Presented Natália do Vale, Marcos Paulo, Eva Wilma, Werner Schünemann, Carlos Vereza, Giselle Itié, Vladimir Brichta, Carolina Ferraz and Marília Pêra in the lead roles.

Imagens da História

The first scenes of the telenovela Another Power were recorded at Palermo and Tonnara di Scopello two cities in Italy. One of the most impressive scenes was the terrible explosion of a car where were Tony Castellamare’s wife and their twin daughters; after he arrive at the crime scene, he testified the explosion causing the death of his family.