A lighthearted take on director Yasujiro Ozu’s perennial theme of the challenges of intergenerational relationships, Good Morning tells the story of two young boys who stop speaking in protest after their parents refuse to buy a television set. Ozu weaves a wealth of subtle gags through a family portrait as rich as those of his dramatic films, mocking the foibles of the adult world through the eyes of his child protagonists. Shot in stunning color and set in a suburb of Tokyo where housewives gossip about the neighbors’ new washing machine and unemployed husbands look for work as door-to-door salesmen, this charming comedy refashions Ozu’s own silent classic I Was Born, But . . . to gently satirize consumerism in postwar Japan.
The film takes place at the junction of the two eras of Meiji and Taisho. Sakata Sankichi, an uneducated zori sandal maker, becomes a professional shogi player through his genius shogi skills and lives a fanatically devoted shogi game supported by the love of his family. This is the 3rd adaptation of Hideji Hojo's famous play.
Hikaru and Ichiro are close friends in high school. Hikaru's elder brother Tadashi fell in love with Ichiro's elder sister, Mikako at first sight. Although she gave the cold shoulder to Tadashi, she gradually became fond of Tadashi.
When a theater troupe's master visits his old flame, he unintentionally sets off a chain of unexpected events with devastating consequences. A remake of Ozu's own silent film The Story of Floating Weeds (1934).
In 1906, after finishing a tough migrant job in the Philippines, Takichi has returned to Japan. He starts to work as a rickshaw driver, but his lover had died of an illness, leaving a baby girl, Hatsue. Hatsue grows up beautifully and falls in love with Shintaro. But Takichi objects to their relationship...
Wataru Hirayama's outwardly liberal views on marriage are severely tested when his daughter declares that she is in love with a musician and is adamant to live life her own way, instead of agreeing to an arranged marriage. Outwitted by his female relatives, Hirayama stubbornly refuses to admit defeat.
Japanese comedy film.
Undercover cop Kikuchi teams up with the Okinawa local police to clean up the narcotics and prostitution underworld.
A truck driver arrives in Seoul to receive his dead sister's ashes. While there, he discovers the death may not have been an accident after all, and has something to do with international drug smuggling.
Epic saga of an idealistic land-owning family dealing with militarism, war, social change and economic reform.
A woman and her daughter are each forced to contend with an increasing pressure to marry, particularly from three men who knew her late husband.
When her only relative, her elder brother is accused of robbing and murdering an old woman loan-shark, pretty, young Kiriko travels from her home in Kyushu to Tokyo to get Japan's top lawyer to defend her brother. Unfortunately her naive idealism is shattered when the lawyer refuses to take the case based on her insufficient funds. What follows is a long determined revenge plot that sees the heroine become a Tokyo bar hostess and worse to punish the lawyer. The plot thickens with another murder mystery and a sleuthing reporter.
Two sisters find out the existence of their long-lost mother, but the younger cannot accept the fact that she was abandoned as a child.
A young girl is rigorously trained in the feminine arts so that she can become a geisha. As she struggles through life, she learns to live not just as a woman but as a complete person.
Detective Kikuchi is sent to Okinawa to investigate why a girl jumped from a window after shooting heroin. There, he encounters the usual assortment of addicts, dealers, pimps and sleazy American GIs.
A young Tokyo salary man and his wife struggle within the confines of their passionless relationship while he has an extramarital affair.