Tadanori Yokoo

A fictional account of the life of Japanese author Yukio Mishima, combining dramatizations of three of his novels and a depiction of the events of November 25th, 1970.

In Tokyo's Shinjuku district, the lives of a young man prone to theft, a young woman he meets at a bookstore, and a kabuki actor intersect.

ANPO: Art X War tells the story of Japan's historic resistance to U.S. military bases in Japan through an electrifying array of artwork created by Japan's foremost artists. The film articulates the insidious, lasting impact that the U.S. military presence has had on Japanese lives, and the creative processes that artists have devised to transmit the spirit of resistance.

A legendary entertainer and a pioneer of gay activism, Miwa was born Akihiro Maruyama. As a young singer, Miwa popularized androgyny as a fashion statement, fusing the masculine and the feminine into a signal of a new generation of aesthetics. This evolved into performing as a woman and living off-stage as a man. With glitter, wit, evening gowns, and enchanting storytelling, Miwa looks back over a 50-year career and a fascinating life in music, film, and television.

A documentary on sixties counterculture in Japan featuring Donald Richie, Tadanori Yokoo, Masao Adachi, Koji Wakamatsu, Toshio Matsumoto and Akaji Maro among others.

A young couple lives together in a small apartment and struggles to keep their relationship together, despite inertia and financial hardship. Based on the comic Red Colored Elegy by Seiichi Hayashi.

Hi-Red Centre were comprised of Genpei Akasegawa, Natsuyuki Nakanishi and Jiro Takamatsu, who enacted ‘happening’-style performance art in unusual spaces during the early 1960s in Japan. The film is an extremely rare document of one of their early events, where they hired out a room in the Imperial Hotel and invited many friends and professionals in the art scene to participate in the occasion. The performance parodies Cold War fears and the construction of private bomb-shelters, as they diligently measure each guest’s weight and proportions in pretence that they are to build human-size shelters for each individual. Key figures of the art scene make an appearance, including Yoko Ono, video-artist Nam June Paik, noise artist Yasunao Tone, filmmaker Masao Adachi and graphic designer Tadanori Yokoo. A rarely seen and exceptional insight into the Japanese art scene of the era, Jonouchi records the event in his characteristically erratic style.