Kae Minami

Following some trauma in her past that has since been repressed, a young woman is trying to recover her memories with the help of a psychiatrist. During her hypnosis sessions, she repeats the name "Tomie" but is unable to recall where she knows it from. Meanwhile, a police detective is investigating a string of brutal murders, where he also runs across the name "Tomie." How are the two connected?

Luchino's routine morning elevator ride up from her subterranean home on level 138 to her school many stories above turns horrific when the elevator operator is ordered to pick up two passengers from floor 99, the maximum security level. What starts as psychological manipulation soon turns wholly physical as both the cruel convicts and Luchino's own dysfunctional past are unleashed. And then every passenger must fight for his or her survival.

An industrial section of Japan got the name of “Yentown” as many immigrants come to make money and hope to go home rich. A small group of people in Yentown try to work together to survive—Ageha, a young girl with no family; Glico, a sex worker; Fei Hong, a poor immigrant from Shanghai; Arrow, an ex-boxer from the US; and Ren, a mysterious guy who seems to know too much about guns. Fortune shines upon them when they find a cassette that will get them rich, but along with money, trouble will always follow.

In this startling psychological thriller from Japan, Mami (Hijiri Kojima) is a teacher who meets Tomo (Koji Chihara), a psychotic criminal with a short temper and no visible means of support. Amour fou blooms between them, and a year later they're living together, with Mami taking part as Tomo abducts, tortures, and kills one of their neighbors. Eventually the cycle of crime goes too far for Mami and she leaves Tomo, but several years later, he arrives at her home to disrupt her life with her new husband. Hysteric was directed by Takahisa Zeze, who previously received critical acclaim for the film Kokkuri. ~ Mark Deming, Rovi

A young teen's father dies, and he is sent to an orphanage. He's teased because he stutters almost runs away, until a beautiful, androgynous boy, Yasuo (Sora Toma), convinces him to join the choir.

Amidst the swirl of Tokyo's seamy nightlife of designer drugs, casual sex, and American slang, Zhou turns 30. It's a spiritual crisis for this Chinese immigrant who quotes Confucius, this Lothario and con artist who fences stolen goods. He falls for Kyōko, a seemingly shy provincial woman looking for the man who jilted her sister. As their relationship plays out, Hanawa intercuts stories of Kazuo, a hyperkinetic artist who loves the trendy Yōko (Kazuo bores her, and she pursues the indifferent Zhou), and Ali, a Pakistani Muslim who, broke and forlorn, stands outside a convenience store, love-struck by a clerk because she looked into his eyes (she thought he was shop-lifting)