Heather Allin

Walter is the chief of police in a small Ontario town that has its first murder victim, an attractive young woman who is found naked on the shores of the nearby lake. The woman isn't local and while the Ontario Provincial Police have taken the lead in the investigation, Walter assists where he can. The town is mostly a close-knit Mennonite community and Walter has recently returned to his church. He is also trying to deal with his own temper that led to a violent incident some months before. As the young woman is identified, it becomes apparent that Walter's former love interest may be lying.

Jesse Stone is a former L.A. homicide detective who left behind the big city and an ex-wife to become the police chief of the quiet New England fishing town of Paradise. Stone's old habits die hard as he continues to indulge his two favorite things: Scotch whiskey and women. After a series of murders—the first ever in Paradise—and a high school girl is raped, he's forced to face his own demons in order to solve the crimes.

Elle Spencer has devised a terrifying plan. Soon her friend, Anna Bellcroft will be released from jail, where she served time for a DUI. Anna has nothing. No family, no money, no job...BUT Elle is there for her. What Elle does not reveal, is that she blames her step-father for her mother's suicide, and Anne will become the unsuspecting instrument of her revenge.

Two small-town girls arrive in Chicago to find fame and fortune. Ruby wants to be a fashion designer; Holly simply wants a city salary to help out her family. Both girls' heads are turned by the chance to become Bunny girls in Hugh Hefner's blossoming Playboy empire, but while Holly's personality enables her to rise quickly through the glamour ranks, Ruby becomes dependent on drugs.

A ten year old girl struggles with the residual trauma of her sexual abuse.

The Covert Investigations Unit (CIU) risks going undercover to infiltrate and bring down criminal organizations. In this new style of short-term, high-intensity undercover work, each covert “play” is crafted quickly and executed at an even faster pace. Placed into various worlds of crime without a safety net, the cops are in constant danger, as they repeatedly go off the grid. Wearing wires, coaxing confessions, and setting up stings, the cops of the CIU must think quickly, talk smoothly, and rely on pure instinct. They slip in and out of characters so often that, sometimes, they lose track of who they really are.