María Abadi

Luis has just returned home after spending time in a neuropsychiatric, and Beatrice, his wife, he fears a relapse. The disappearance of the house cat and certain behaviors Beatriz Luis begins to grow increasingly suspicious of his behavior.

A broken heart makes Sergio reject the city......A city full of late adolescents, girls that make you cry, drunks worried about matters they couldn´t handle even sober...and songs that say all that they would have wanted to say (if they knew that they needed to say something)

Eleven young film-makers got together to collaborate in this atypical project. Atypical not only because of its technical specs, but because of its narrative structure. There are several scenes with only the city in common, and more as a conceptual presence at that than as a precise geography. None of those scenes contains a single "story": Each one of them is part of a larger situation that we cannot see, as though the beginning and end of each "story" had to be filled in by the audience.

An incestuous love affair. Meme and Jeremias are the younger children in a typical bourgeois family. Their mother Lucia is the dominant force in the household, but her fixation on upholding the niceties of upper middle class life has prevented her from seeing what is going on under her roof. When the siblings’ older brother and his fiancee arrive home for their wedding, it seems inevitable that the concealment will be impossible to sustain. But equally it becomes apparent that if Lucia were to find out about the affair, there would be catastrophic consequences.

A young couple romantically contemplate the sunrise on the Buenos Aires waterfront. The talk becomes a discussion. The discussion in fight. And some fights can be irreconcilable. Each of them will go through the city separately, meeting with friends, family and even strangers, generating situations that will lead them to question how and why they got where they are. An external and internal journey, with learnings and reflections about love, the couple and life.

La señora Haidi

Pistolero is a fiction that in a certain way is an essay on violence. The story follows the criminal raid of Isidoro Mendoza and his brother Claudio in the rural Argentina during Ongania’s dictatorship, and how the violence of his criminal deeds begins to leave a mark in them. A teacher from Buenos Aires arrives to Isidoro’s life, and love is the possibility to open himself to a new life, but even as he tries, he can not escape the entropy generated by his own drives and actions.

One night an uninspired writer selling to walk around Buenos Aires. Find a package in the trash. From there on, what we are going to achieve. His eagerness to preserve and hide it will transform his days and nights into a strange nightmare.

Agustín (32) returns to the city where he was born, after 6 years of absence, to watch the legal process in which he will be tried for the - supposedly - murder of his father and mother. Alone and in constant alert, he begins to experience acts of violence. Agobiado, he meets an enigmatic and unpredictable young woman who shows him other ways of experiencing isolation.

Camila is a young member of an elite police unit. During an operation in a dangerous area, she turns up in the middle of a ritual, in which their members burnt themselves to death. She suffers severe burns all over her body and goes into a coma. In her long recovery, her friend Fatima, a criminal prosecutor, and her partner and ex-boyfriend Ángel will help her. But Camila acts strange, she is distant, emotionless. The albino, a female figure who is attached to her soul since the ritual episode, is here to play a game with the three of them.

A Hollywood actor grows tired of making the same corporate movies, so he moves to Argentina to find more experimental and meaningful work.

Oportunidades

In a near future, crimes and accidents have disappeared because it has become possible to call the past. However, the peace will be disturbed by a killer who seems to have found the one crack in the system.

Historias de Diván

En viaje

The story tells the experiences of four modern parents Favio Carbonetti (Luciano Castro), Ignacio Moreno (Joaquín Furriel), Franco Bertossi (Luciano Cáceres) and Mauro de Leone (Peto Menahem) and attractive friends who become friends by sharing daily talks at the door of your children's Kindergarten.

Anthology series, in which every episode introduces fictionalized versions of real cases about women who, for different reasons, ended up committing murder.

Montecristo is a Spanish language telenovela that aired on TV Azteca. It premiered on August 14, 2006. The final original episode aired April 27, 2007. It is based on Argentinian telenovela of the same name, with Rita Fusaro, one of the producer of the original version, serving as the producer in this version.

The series proposes a new look at the human bonds of the new century. Each of the chapters develops a unique story. They are focused on the conflicts that their characters face in the face of the resistance of a society that often does not fully accept new realities, a product of the transformations that are currently being experienced.

El hombre de tu vida

Carmen and Elena Iturrioz are sisters and partners in a laboratory inherited from their parents. Both carry out the cases that reach the laboratory, together with a team of collaborators. Each episode will stage a new story that arrives at the laboratory at the hands of characters seeking to find out their identity, recognize a son or a brother, gain access to an inheritance or identify a genetic disease, among others. they will reveal who they are; they will get closer to their own personal and family identity.