Francisco Barreiro

A married couple loses their children while on a family trip near some caves in Tijuana. The kids eventually reappear without explanation, but it becomes clear that they are not who they used to be, that something terrifying has changed them.

An itinerant mover works from the streets of Mexico City with his partner and lives with his beleaguered mother. A heightened tension within the home – by the absent older brother and unmentioned father. Gabino's casual pursuit of a career is interrupted by a series of intense and almost satirically telenovela-esque domestic vignettes.

Gabino, Luisa and Paco share a small apartment in Mexico City. With no money and nothing to do they decice to leave the city.

Allie moves to Texas and embraces the slower pace of life and gun culture. She tries to maintain healthy relationships as the weapons she uses to protect herself lead her to a paranoid withdrawal from life.

Potosi, a rural town in Latin America, is the crossfire of the ravaging that has devastated the north of the country. An accident along a deserted road connects three stories, an 82 year old goat herder that has not shot his gun in 40 years, a woman who is a victim of domestic violence and a humble peasant living on guard to protect his family from the country’s war against organized crime.

Antonio and Bertha are an elderly couple, about 90 years old who find themselves in trouble when social security pensions are suspended due to a financial and social crisis in the country where they live. Given the fact that their children have not visited them in many years they are confronted with the need to survive alone. The couple is forced to sell their belongings and sustain themselves selling food on the street orstealing. The lives of the two elderly people change when their son Jonas and grandson Paco, absent from their lives for over a decade, appear unexpectedly once again.

Taking all that was great from the first instalment, the movie aims to be a wilder, leaner, faster-paced and even more entertaining anthology this time around, with a new crop of award-winning, visionary filmmakers from around the globe.

The space will be witness of dreams, hopes, disappointments and dramatic destinies of its residents, delivering an intimate human history of Mexico through the decades. La Habitación will reunite eight directors that will expose the reality of each historical period resulting in a profound and inspiring portrait of modern Mexico.

Aram is a wearied accountant with an unbearably dull existence. With a nagging wife who berates him for not being assertive enough, and a measly paycheck, he quietly suffers while awaiting a long-deserved promotion. But there's more to Aram than his mild-mannered demeanor lets on: he has been secretly devising a scheme to finally get what he feels he is owed. One day he asserts his power menacingly when he kidnaps a schoolgirl and keeps her tied up in an abandoned warehouse. What seems like the perfect plan soon unravels into his worst nightmare, and his carefully constructed scheme comes crashing down piece by bloody piece.

Minotaur takes place in a home of books, of readers, of artists. It’s also a home of soft light, of eternal afternoons, of sleepiness, of dreams. The home is impermeable to the world. Mexico is on fire, but the characters of Minotaur sleep soundly.

A photojournalist gets more than she bargained for when she snaps a photo of a shadowy religious figure in the jungles of Colombia, triggering a flight – and fight – for her life.

After the death of a patriarch, a family must try to continue on with a disturbing, ritualistic tradition.

In this new horror anthology, nine Mexican directors come together to tell stories about the most brutal, ruthless and bizarre Mexican traditions and legends.

A quintet is an omnibus feature told from the perspective of five international up and coming filmmakers who are searching to find identity in the modern world. The five segments are : "Polaroid" by Roberto Cuzzillo; "Friend Request" by Elie Lamah; "The Cuddle Workshop" by Mauro Mueller; "The House in the Envelope" by Sanela Salketic; and "The Tourist" by Ariel Shaban.

Internet as a victim facilitator for sexual slavery underage hitmen, infant labor workers under inhuman conditions, dysfunctional shelters, collateral victims and distraught families are some of the topics engaged by The Wild Dance

A young girl who goes on a journey to find the lake of Texcoco.

When Sonia receives the news that her husband’s cancer has progressed to a critical stage, she races to secure the insurance company’s approval for the care that can help him.

A shy and feeble architect is victim of a violent and abusing surrounding. The pressure builds up until he is pushed to the limit of his own humanity.

A pair of estranged offspring visit their parents in an abandoned Mexican village.

A couple of teenage factory workers spend their afternoons consuming chemical substances in a self-constructed shack. The ecstatic trips and the visions they experiment make them forget for a moment about their noisy industrial city life. But when Alexandra disappears right before his eyes, Lucas must deal with a corrupted system. His visions decay, just like the monster that imprisons them.

Don Reynaldo is a renowned hunter in decline. When the threat of losing his heritage and his father's legacy appears, the dynamics with his family, his workers and the land will be dangerously disrupted.

The space will be witness of dreams, hopes, disappointments and dramatic destinies of its residents, delivering an intimate human history of Mexico through the decades. La Habitación will reunite eight directors that will expose the reality of each historical period resulting in a profound and inspiring portrait of modern Mexico.

A metacinematic reflection on the nature of representation and the ongoing drug war in Mexico, Nicolás Pereda’s Flora revisits locations and scenes from the mainstream 2010 narco-comedy El Infierno, exploring the paradoxes of depicting narco-trafficking on film—its tendency both to romanticize and to obscure. To screen is both to project and to conceal.

Alan and his father Alberto flee from the painful loss of his mother. While hiding in a secluded housing unit, Alan discovers hidden messages from his uncle that lead him to believe that his father is a werewolf. His life and his neighbors’ lives are in danger. Alan decides to do something once for all. Destroying the beast does not seem a far-fetched plan in the violent reality he lives day by day.

In an industrial city, aimless teenager Lucas searches for meaning and connection. A friend’s sudden departure will send him on a poetic odyssey.

The life of engineer and former NASA astronaut José M. Hernández, the first migrant farmworker to go to space.

See the rise of the Guadalajara Cartel as an American DEA agent learns the danger of targeting narcos in 1980s Mexico.

After surviving a freak accident, Jodie, a twelve-year-old boy from Santa Rosalía, Baja California Sur, discovers that he has Jesus-like powers: He can turn water into wine, make the crippled walk, and perhaps even raise the dead. How will he deal with his destiny and lead the world through a conflict that’s been thousands of years in the making?