Umberto Cantone

January 6, 1980. President of the Sicily Piersanti Mattarella is going to Mass with his family when a young man approaches his car and shoots him in cold blood, killing him. The young Deputy Prosecutor on duty that day is Pietro Grasso, future General Anti-Mafia Prosecutor and President of the Italian Senate. His investigations are continued by Giovanni Falcone, who uncovers dangerous connections between the Mafia, the ruling Christian Democratic Party, neo-fascist terrorists, and secret services.

Filming on Franco Maresco's film about Carmelo Bene is abruptly halted after yet another on-set accident. Producer Andrea Occhipinti pulls the plug, exasperated by the endless takes and repeated delays. For his part, the director of Belluscone and The Mafia Is No Longer What It Was, accuses the production of "filmicide," and then disappears. Maresco's friend, Umberto Cantone, attempts to mend the rift by calling witnesses from all those involved in the project, in an investigation that offers an opportunity to retrace the personality and ideas of the most corrosive and apocalyptic auteur in Italian cinema. What if, meanwhile, far from everything and everyone, Maresco is finishing his film, which has become "the only way to give form to the anger and horror I feel for this shitty world"?

Franco scaldati - died in 2013 - was one of the most important autors of italian theatre plays, Maresco describes his role in the cultural and social field. Through his opera we can observe Italy from another point of view.