Jan Cvitkovič

L.V. Strocki is a traveling film projectionist in the best years. He is a representative of the first generation who watched partisan films, lived to see the invasion of the television and ended up among vampires. In the coastal region town he is preparing a film projection on the town square and a television team is making a documentary about this event. During the film projection about the heroines and heroes of an occupied town, a Heroine in a seductive outfit comes to see Strocki in his projection booth.

Black soldiers are captured by red soldiers and shot dead. Then, red soldiers capture black and shoot them. And so on to the bare end.

Hannah and Sam are young, have a house, a lovely daughter, Anja, and well paid work. However, their comfortable family routine is thrown into emotional turmoil. When Hannah realizes Sam has an affair with a young female colleague, she packs her suitcase and returns to her mother. She reunites with her ex-flame Leo, from her student years hoping it will help her to move on, but discovers that Leo is a philanderer. Hannah makes a hard choice.

Dizzy is a perennial student living in a small double room in a hostel. He never seems to study, but spends his time sleeping, watching TV, and drinking. Marko, a studious freshman from the country, is assigned to the other bed in the room, and he is soon joined by his young, very pregnant, girlfriend Ana. Meanwhile, Dizzy's girlfriend Marina is trying to get Dizzy to make a commitment, but he would prefer to continue his idle ways.

This documentary was inspired by the artistic life of Serbian actress Sonja Savić. Being a wonder child, a star of Yugoslavian cinematography, a sex symbol, and urban legend of the eighties generation, a fighter against establishment, Sonja Savić had always attracted attention. Simply put, she always looked, spoke and thought differently from others, she was entirely autonomous, an authentic phenomenon of Serbian culture. In the documentary SONJA, friends and colleagues of Sonja Savić testify on many aspects of her life and work, and a special emphasis is put on Sonja’s libertarian, rebellious, Don Quixote type of nature.

In the city of Versopolis, people stop uttering the words that crawl out of their mouth, liberating instead the words lodged somewhere deep in their subconscious minds. The words that really mean something.

Ivan is released a day early from a treatment programme for alcoholics due to a doctors' strike. He returns to his wife Sonja and his sixteen year old son Robi. The first afternoon he spends at home is very pleasant. The next morning Sonja sends Ivan to a shop to get bread and milk. On the way back Ivan runs into Armando, his high school classmate, and through their conversation at a bar, Ivan finds out that long before Sonja became his wife, Armando spent a night with her. Ivan has his first drop of the hard stuff...Kruh in mleko is a bitter-sweet tale of loneliness, estrangement and the glowing embers of love, where there once used to be a fire.

This feature-length documentary about Professor Jože Dolmark shows the protagonist as a man of many insights, interests and talents; as an art historian, an authority on literature and the history of cinema and photography, a film critic, cineaste, screenwriter, actor, and above all an extraordinary teacher and professor, and in a new light: intimately, through anecdotes and his world view, as befits a man of his greatness. Jože Dolmark is a brilliant intellectual, an eloquent speaker, and an astute observer of Slovenian culture, cinema, and life at large.

Film about Damir Avdic, artist of words who speaks about the world as he sees and understands it. With no superfluous comments. Words as sharp as a razor blade, as straight as a bullet, as honest as a heart. On the stage he is alone, with his guitar and his voice.

March 2020. As the Covid-19 epidemic is declared, movement restrictions are put in place and social life is disrupted. Inseparable tells the story of a group of friends who still find a way to connect and share their thoughts with each other.

Inspired by a real event, the film follows 27-year-old Lara (newcomer Diana Kolenc), a paramedic intern who helps bring 30-year-old Kristijan (Vito Weiss) into the hospital, after he was brutally beaten on a Facebook live stream that was seen by 20,000 people and no one called the police. Although Kristijan is in a coma, Lara starts to receive video clips from his Facebook profile, showing unidentified persons watching him get beaten. She reports this to detective Borut (Jure Henigman, from A Trip and Dual), who starts an investigation. All the observers, who appear in the video clips, will become Lara’s nightmare in her real life. She soon realizes that she is also an accomplice in this horrible event.

In the middle of a hot summer, a homeless woman is murdered in the centre of Ljubljana. At least as much as her death is troubled by the fact that the murder took place in a park right next to the General Police Administration. In addition to Taras's and Tina's relationship, resentment is being drawn from the events at Lake Bohinj over Taras' treatment of the spoiled son of an influential man, so the head of Drvarič assigns the management of the case to Tini instead of Taras. The start of the investigation is not the most promising, as none of the occupants of the park detected anything unusual, even though the windows look out of all the apartments. Yet a criminal investigation reveals that one of them wasn't the most honest.