Szabolcs Hajdu

1989 in Budapest. A gang of teenagers is roaming about in the city. They are hanging around, longing away from here, their parents do not care about them. They sustain themselves by breaking up cars and by minor robberies.

Eszter, her husband Farkas, and their five-year-old son Bruno are paid an unexpected visit in the middle of the night. Eszter’s sister Ernella, her husband Albert and daughter Laura have returned from a year spent in Scotland where, contrary to expectations, they weren’t able to settle down. It soon becomes clear that the two families had never really been in tune with one another.

Eszter, her husband Farkas, and their five-year-old son Bruno are paid an unexpected visit in the middle of the night. Eszter’s sister Ernella, her husband Albert and daughter Laura have returned from a year spent in Scotland where, contrary to expectations, they weren’t able to settle down. It soon becomes clear that the two families had never really been in tune with one another.

Van egy határ

In communist Hungary a young mother wants to live with her son. To do so, she has to kidnap her own child from her influential, manipulative ex-husband and escape with him to the West.

Dropped into a web of family, sexual, political and romantic relationships where nothing is quite what it seems. One event leads to something else, people appear in one situation and reappear in another and by the end the lives of 22 people intersect in unpredictable ways during a 90-minute period on one magical night in the city they share.

A retelling of Shakespeare's play from within the mind of the protagonist. The psychedelic appeal of the film was created with hand painted and rotten 35 mm and 16 mm celluloid strips.

If we are not careful, years have passed, and our life have become completely monotonous.

András comes to Budapest because he failed at his school-leaving exam and he would like his aunt, a maths teacher to prepare him for the next exam. The boy wants to be an actor and intends to get to Hollywood once. His cousins and friends are making a film.

The renowned anarchist teacher Count Ervin Batthyány reappears 100 years after his death. He tries to put his theories into practice again, as he realises that the world has not turned out as he had expected. He founds a new free school with the help of some like-minded people, and starts teaching a new generation who believe in solidarity and cooperation, rather than a system of oppression. But the ideal of freedom and equality awakens the same fears in the choreographers of power as it did 100 years ago. And after an encouraging start the count and his new friends come up against more and more obstacles.

We cannot live only by our fears, because our greatest enemy in life will be ourselves, from which we will only be able to free ourselves by a trauma. We have to deal with our feelings and inner problems ourselves, we cannot suppress our anxiety after a while, we have to face them.

A hardcore soccer ultra, Gyula, and his wife, Mariann, long for a baby. But it turns out that Gyula is sterile and when their plans to adopt also go up in smoke, Mariann does a deal behind her husband's back: they will take in the soon to be born child of a young Roma woman. The ensuing state of affairs turns all of their lives upside down. While Gyula has to continually hide the truth from his racist friends, surprises await him in his private life, and when Cupid's arrow strikes him from the most unexpected direction, he is faced with both comical situations and acute moral dilemmas.

Egy százalék indián

It’s a beautiful sunny autumn morning in a cosy house near a quiet lake. Kálmán doesn't know what love means anymore. His asexual wife Olga suggests redecorating in another attempt to save the relationship. Olga’s sister Zita comes to celebrate Kalman's name day with her husband Levente, who has a terrible pain in his stomach. Then, sensitive widower Erno knocks on the door. Olga has a strange dream where she sees misfortune for Zita and Levente. Trouble never comes alone.

Minden rendben

Thirty years, three eras: they have been trying to save the Hungarian film industry again and again over the decades. Among these attempts were highs, lows, countless deals and compromises. And now some say that we are living in the saddest period of Hungarian filmmaking.

A boy is accidentally killed at an informal hunt somewhere on the border of two European countries. One of the people involved is Minister Berger, the hot candidate for the influential post of High Commissioner for Water Management, who will be tasked with finding the solution to increasing water shortages across Europe. The government hires secret agent Steiner to hush up the scandal. The more he investigates the case, the more embroiled he becomes in dilemmas of power and its execution.

Behind the Iron Curtain, Geri leaves for college, looks forward to meeting girls and partying and joins a group of radicals led by the charismatic Száva. But Geri has a secret. He’s an informant of the totalitarian state and to save his brother, he’s been forced to spy on his new friends for State Security.