Jerko Marčić

Eliciting images of cancer, this drama explores the illnesses that plague modern Croatia. Four young junkies in Zagreb maturing in the wake of war reflect the petty hatreds, violence, prejudices and mood hanging over the country like a disease that spreads with no cure in sight.

Zagreb Cappuccino is the story of two best friends, Petra and Kika. Both women are in their early forties. Petra, in Zagreb, is getting divorced, and Kika arrives from Cologne to console her. Kika, a cosmopolitan party girl, teaches Petra how to carry on with her life without a husband and a family. Over several cups of coffee and nights out we get to know their fears and problems, their solitude, insecurities and inner strength.

The third part of "Zagreb Stories" franchise that connects short films about Zagreb into one whole. The plot of six short stories takes place during public holidays.

After finding out by chance that his ex-girlfriend Mina’s mother died, Simon decides to steal her body to provoke cathartic processes in Mina. Mina hasn’t been in contact with her mother for years because of some dark family secrets. Simon plans to keep the body hidden for a few days and then revive it. He possesses the powers needed to do this. However, the body is stolen from Simon and he has great difficulty retrieving it. Unaware of Simon’s problems, Mina confronts her past and the emotional baggage she’s been carrying for years.

Firmly believing her own life is no more precious than the lives of the innocent people being persecuted, with the help of a few friends, Diana embarks on a perilous campaign of rescuing more than 10,000 children from the Ustasha camps in Nazi-occupied Croatia.

Two girls meeting at a porn audition, getting infatuated by one another and going through a journey in one day and one night followed by one dominant male figure, whose face we never see, but who plays as the force that separates them. It is a film about friendship and a metaphor for power and dominance that gets in the way of woman who could connect more strongly otherwise. Other than carrying that message, the movie has dark humor, a flashy and at moments uncomfortable atmosphere and a distinctive East European girl aesthetic.

Too afraid to confess to his wife that he fell for another woman, a middle-aged man turns into a ticking bomb that might explode right into his face.