Serge Kribus

December 1953. Rosa and Alfred, a young couple of Polish Jews, await the return of Rosa's brother from America. Alfred will take care of the turkey. The delivery man brings it still alive.

Claire Letellier works as head of a pharmaceutical company. After dating André for a number of years, she has at long last accepted his marriage proposal. She decides this is a good time to reclaim the maid's room she owns above her place and turn her apartment into a duplex. But her tenant, a slightly offbeat designer named Alain Gareda, categorically refuses to vacate the premises. The latent hostility between them gains momentum by the day, until Alain suggests a compromise.

Victim of a rape, Nadia Coupeau decides to keep the child despite her precarious personal situation. But her child is soon taken away from her and placed in public care. Desperate, but ready to do anything to get him back, she decides to join her friend Zoé in the capital... In this version freely inspired by Emile Zola's work, Nana's trajectory is a cross-section of contemporary society, from the jungle of the suburbs to the golden world of business.

A young journalist (Lespert) helps the French President compile his memoirs.

In 1941, the inhabitants of a small Jewish village in Central Europe organize a fake deportation train so that they can escape the Nazis and flee to Palestine.

Théo is given up for adoption by his biological mother on the very day he is born. After this anonymous birth, the mother has two months to change her mind… Or not. The child welfare services and adoption service spring into action… The former have to take care of the baby and support it during this limbo-like time, this period of uncertainty, while the latter must find a woman to become his adoptive mother. She is called Alice, and she has spent the last ten years fighting to have a child.

Manuel passes 18 months at Buchenwald before his return to Paris. He wonders even before his arrival who will have the patience and passion to listen to his narrative. He chooses silence.