M. R. Radha

Naan Potta Saval

Anandha Jodhi

Paalum Pazhamum is a 1961 Tamil-language film directed by A. Bhimsingh and featuring Sivaji Ganesan, B. Saroja Devi, Sowcar Janaki and others. Sivaji is a doctor searching for a cancer cure. Saroja Devi is Sivaji's nurse assistant. Sivaji offers to marry her after her father's death. Saroja Devi assists him in his research. After putting in enormous efforts, Sivaji emerges successful in formulating a new drug but Saroja Devi is diagnosed with tuberculosis. Sivaji neglects his duties as a doctor and starts focusing more on Saroja Devi's health. Saroja Devi flees on a train as she does not wish to divert him from his research.

Shanthi

The story revolves around Selvam, an easygoing youngster who befriends many girls without the intention of marrying any of them.

Marudhu tosses his look-alike Pandiya into the sea as a goon promises to pay him a huge sum of money. However, they are in for a shock when Pandiya returns after being rescued by fishermen.

Pachai Vilakku (English: Green Lantern) is a 1964 Indian Tamil film, directed by A. Bhim Singh and produced by Rama. Arangannal, A. R. Hassan Khan and T. S. Aadhi Narayanan. The film stars Sivaji Ganesan, C. R. Vijayakumari, S. S. Rajendran and S. V. Ranga Rao in lead roles. The film had musical score by Viswanathan–Ramamoorthy.

Aalayamani is a tale of possessiveness and distrust towards one's partner and the eventual redemption by sacrifice. The story is an essential interplay of feelings and the shadows cast upon by darker feelings of one person and the effect it produces on himself and in his immediate circle of friends and family.

Paar Magale Paar is a 1963 Tamil film starring Sivaji Ganesan, Sowcar Janaki, R. Muthuraman and Vijayakumari. Zamindar Sivalingam (Sivaji Ganesan) is married to Lakshmiammal (Sowcar Janaki) and takes his family's prestige and heritage very seriously. Dancer Sulochana and Lakshmiammal have baby girls at the same time in the same hospital.

Gopal dearly loves his brother Raju, despite the latter's unkind acts and frauds. But fate seems to have something else in store for Gopal as he is soon accused of killing Raju

Kairasi

A rich farmer makes his married children and their spouses live in his house to take care of his business. Problems arise when one of them starts to squander his hard-earned money.

Thanga Malar

Hello Mister Zamindar

Periya Idathu Pen, Murugappan (M.G.R.) is a simple village youth, living with his widowed sister, Gangamma. He wishes to marry his master’s daughter Tillai, but the village head Pillai’s son Sabapathy, plays foul with the help of his sister Punitha (Saroja Devi) and weds her. Murugappan learns of this and vows to marry Punitha a very proud and head strong girl and teach her a lesson.Unable to tolerate Murugappan’s democratic ways, Pillai torches their hut and forces himself on Gangamma. Murugappan is forced to leave the village and go to the city to make a living. Does Murugappan succeed in his mission? Does Gangamma get Justice?

Sekar, a wealthy man, falls in love with Maragatham, a poor girl. But her brother Kandhan, who hates rich people due to some unpleasant incidents that happened in his life, opposes their love.

Nallavan Vazhvan

Sabaash Mapillai

Needhikkupin Paasam

Dharmalingam (M.R. Radha), a rich landlord, is the father of two sons and a daughter. His eldest son has a love marriage with a poor teacher's daughter, Kamala,. Dharmalingam disowns them. The son dies and Kamala is left homeless, with a little child. Nathan (M.G.R.), a police officer, gives Kamala shelter in his house and decides to help her fight her case for property. But Kamala is murdered on the way to the court hearing. Fingers point at Dharmalingam and his son Shankar (M.N. Nambiar). Ironically, Shankar and Nathan's sister Uma are in love. Nathan comes to investigate the case and falls in love with Dharmalingam's daughter Sarasu. Now, Nathan is in a dilemma. Should he protect Shankar as he is his sister's sweetheart or should he drop the case as he loves Dharmalingam's daughter. Or is the real murderer someone else?

Raju, a hardworking man, joins a bus company and earns the respect of his boss Murugappan. Murugappan's daughter Meena falls for Raju but he refuses to marry her and is thrown out of the company.

Chandhrodhayam

Dharmam Thalai Kaakkum

The deeds of a dishonest man lead three children from a family to be raised by different foster parents. The children grow up in Muslim, Christian and Hindu households respectively.

Vaidyalingam Moopanar and his younger brother Sundaralingam live together along with their family. It is one big happy joint family. Vaidyalingam does not have any children while Sundaralingam has two sons. His older son's left hand is paralysed since childhood, while his younger son is studying in college in the city. Vaidyalingam's wife is bitter and keeps cursing Sundaralingam and his family, while Vaidyalingam is very affectionate towards them and is unhappy with his wife for her bad behaviour.

The plot revolves around the dark complexioned and uneducated girl and how she convinces everyone that more than appearance and education, it is the character which is important for a woman.

Gopal, a rich widower, falls in love with Latha. As they are getting prepared to marry, Gopal's presumed-dead wife, Chitra arrives.

Mohanasundaram, a philanderer and drunkard, gets married to Chandra after he returns to India. Though he has a wife, he develops a relationship with Kantha, a prostitute.

Velum Mayilum Thunai (English: Support with Spear and Peacock) is a 1979 Tamil Hindu devotional film directed and written by Ra. Sankaran with dialogue by Rajasekaran. The film was produced by Ra. Ma. Narayanan and Vijayalakshmi Subramaniyam. The music was composed by Shankar - Ganesh. The film stars M. R. Radha(dual role) and Baby Sudha.

Paadha Kaanikkai (English: Offering to the feet) is a 1962 Tamil-language drama film directed by K. Shankar. The film features Gemini Ganesan, Savitri, M. R. Radha and Kamal Haasan in lead roles. The film, produced by G. N. Velumani, had musical score by Viswanathan–Ramamoorthy and was released on 28 September 1962.

Pazhani is a 1965 Indian Tamil-language drama film directed and Screenplay by A. Bhimsingh and produced by A. P. Chinnappan. The film dialogue were written by M. S. Solaimani and story written by G. V. Iyer respectively. . The film features Sivaji Ganesan played titular role with other prominent actors S. S. Rajendran, R. Muthuraman, T. S. Balaiah and M. R. Radha in lead with Devika, Nagesh, Pushpalatha and C. Lakshmi Rajyam played pivotal role. The film had musical score by Viswanathan–Ramamoorthy and was released on 14 January 1965.

Adaikalam, an accused, who has been imprisoned for many years helps two other men to escape from jail. They decide to mingle with the devotees travelling to Sabarimala in order to trick the police.

Saradha, a wealthy woman, marries an ordinary professor against the wishes of her father. Her dream of leading a happily married life is shattered when her husband meets with an accident.

Kumaran, who is married to Kumudha, takes the blame for a murder he did not commit. Convinced of his innocence, his former lover sets out to unearth the truth, which involves Kumaran's brother-in-law.

Raghu befriends Ravi, a homeless man, and provides him with shelter and a job. However, when Ravi sees the photograph of the girl Raghu decides to marry, he asks him to stay away from her.

Rathinapuri Ilavarasi

டாக்ஸி டிரைவர்

Pattinathar is 1962 Tamil biographical film was directed by K. Somu and produced by Film center with distribution by J. R. Productions. The film script was written by Thanjai Ramaiah Doss and Akilan.

Though Kumar and Shankar both love Thangam, she chooses Shankar. An enraged Kumar does everything to destroy Shankar's life but the repercussions instead affect Kumar.

When a mysterious chef arrives in a problematic household, will he be able to fix the family?

The story revolves around the portrayal of the ten different avatars of Lord Vishnu namely Matsya, Kurma, Varaha, Narasimha, Vamana, Parashurama, Rama, Krishna, Balarama and Kalki.