Vladimir Jacev

Two nine-year-old girls report a flasher to the police even though they never saw him. Three filmmakers meet the only residents of a deserted village - an elderly brother and sister who have not spoken to each other in 16 years. Retired cleaning women are found raped and strangled in a small town. The fiction slowly turns into a documentary.

What becomes of a young man who lives entirely in his own world? Melancholy and powerful images bring back memories from the boy's past while revealing his contemplation on the present.

The circularity of violence seen in a story that circles on itself. In Macedonia, during the war in Bosnia, Christians hunt an ethnic Albanian girl who may have murdered one of their own. A young monk who's taken a vow of silence offers her protection. In London, a photographic editor who's pregnant needs to talk it out with her estranged husband and chooses a toney restaurant.

Two parallel tales of redemption, a century apart. In the New York storyline, Edge hunts for Angela's gold to pay back a debt, and gradually grows closer to her. In the Macedonian story, the brothers end up fighting for opposite sides of a revolution, with the religious Elijah taking up sides with the Ottoman sultan and gunslinger Luke joining "the Teacher" , a Macedonian rebel.

A successful young doctor with a beautiful wife, a happy child, and a comfortable house finds his life suddenly changed in ways he never thought possible after being injured in a serious car accident. To the outside eye Lazar Perkov has everything -- indeed his friends and colleagues have even gone so far as to christen him with the nickname "Lucky." But appearances can sometimes be...

Urban drama about ordinary people in a period of transition.

Macedonian TV film.

In modern-day Macedonia, East Indian gypsy Taip (Miki Manojlovic) becomes friends with UN peacekeeper Riju and introduces him to his life of squalor. When Taip's mother dies, he collects government money for the funeral -- but then she comes back to life. Shown at the 1997 Montreal Film Festival.

An ailing communist reflects on a young boy childhood in Stalinist Yugoslavia.