Harald Baerow

This episodic film is a close relative of Wolf Hartwig's schoolgirl report movies, made by the same people, in a similar style, around similar topics. However, this one specifically focuses on the coming-of-age aspects, to an extent that it also touches on delicate issues such as paedophilia.

Young women come to Munich for fun and work during the '72 Olympics and invariably wind up naked.

Munich at night: Robert Susmeit, a 16-year-old teenager who is jealously obsessed with his mother Hilde, traces her and her latest lover at a mundane apartment building where he kills the man in the heat of the moment at a swimming pool. His fatal outburst is secretly witnessed by Moni Dingeldey, a girl of the same age as his. Fascinated by the shaken and devastated strange boy who she hopes to be a soul-mate, she hides Robert in her mother's apartment. Meanwhile, a crowd of policemen and reporters frantically comb through the building in search a murderer whose identity is known only to Robert's parents who are searching as well...

A department manager has to defend himself in court against charges of harassment in the workplace. Looking back, he describes his tough day at work to the judge.

Peter brings his new girlfriend Anja up to C. von Ficker's (i.e. Fucker's) flat, but their tryst is repeatedly disturbed by various events in the building. To calm the jittery Anja, Peter relates a series of erotic stories to put her back in the mood.

Amid Europe's superwealthy jet set, lovely Leslie (Anne Arthur) feels neglected by her cheating fiancé, Logan (Charlie Hickman). She gets even by pursuing a few dalliances of her own and, in the process, falls for a gorgeous lesbian socialite (Sabrina Koch). Slip on your oversized sunglasses and slide back to the swinging '60s for director Radley Metzger's fab erotic confection, a shocker at the time of its initial release.

Monika feels unused and misunderstood. The young wife of the busy and successful civil engineer Kai is often alone because he is hunted and plagued by appointments. Increasingly sexually frustrated, Monika tries masturbating. On the advice of a friend, Monika looks for male acquaintances and becomes a nymphomaniac. What she did not find with Kai - tenderness, refuge and understanding - Monika finally finds with one of her lovers.

Workers of a journey company state about guys and females who pass their vacation time just by sexual enjoyment, which is shown overly thorough and commented on.

Von Null Uhr Eins bis Mitternacht