Magnus Skog

There was a double homicide on the forgotten Swedish countryside several years ago. Two angry young men beat two young women to death, seemingly without any particular reason. The years passed but the images in our heads did not disappear. We tried to forget it, wrote screenplay after screenplay, but we always came back to those murders, and to telling the story about a part of Sweden that we never read about in newspapers, and that is populated by people whose thoughts and destinies rarely reaches beyond their village.

The gloomy, hate-filled lives of a group of teenage guys in the south of Sweden suddenly turn around when one of the guys' hippie-like cousin shows up.

The wealthy Pantalone (Ulf Brunnberg) and Doctor Lombardi (Ewa Roos) have just witnessed the engagement between their children. Then an unusually cheeky figure pops up and throws all plans. She calls herself Truffaldina (Eva Rydberg) and seems free from what respect and label is called. Since an accident rarely comes alone, Rasponi now also enters the action and addresses all common concepts of the perishability of life. And it will not be less difficult when a gentleman from Torino, named Florindo, arrives at Venice and enters the same inn as Rasponi. Now it is for Brighella's innkeeper to take the vagina in beautiful hand and keep my good in bad play.

At the Café René in the small French commune of Nouvion everything is as usual. Chaos. René himself is trying to keep a straight face in a dangerous game. Of course he has to stay on the good side of the Germans in order to not get in trouble. He also has to do the same thing with his wife Edith for the same reason. For completely different reasons he stays on the good side of his waitresses Mimi and Yvette. At least when Edith isn't around.

When a body is found on the bridge between Denmark and Sweden, right on the border, Danish inspector Martin Rohde and Swedish Saga Norén have to share jurisdiction and work together to find the killer.