李光輝

Chen Da, born in 1905, learned traditional Taitung-style songs as a boy. Working as a cowherd and fisherman, he travelled from Hengchun to Taitung. He began his career as a wandering minstrel at 20. Homage to Chen Da portrays his life and singing in various settings, including his hometown and the well-known musical venue in Taipei, Scarecrow Restaurant.

Archive / Lee Guang-Hui is a 30-minute compilation film assembled from footage independently preserved by Chang Chao-Tang between 1975 and 1979 during his work as a television cameraman. Documenting the final years of Lee Guang-Hui—an Indigenous Taiwanese former Japanese soldier who lived in isolation in Indonesia for nearly three decades after World War II—the film traces his return to Taiwan, brief media exposure, and death. Neither a conventional documentary nor a completed historical account, the work functions as an unfinished archive, juxtaposing official rituals, media spectacle, and moments of silence to expose the erasure of subjectivity and the unresolved fractures of postwar history.

Chronotopia is a film featuring dual English and Taiwanese narrations. Linking disparate twentieth-century Taiwanese histories, it employs an architectural framework to invoke Lee Guang-Hui, an Indigenous Taiwanese soldier who fought for the Imperial Japanese Army in World War II and lived in isolation on Indonesia’s Morotai island until 1974, believing the war had never ended. His return after three decades to a transformed Taiwan—whose language he no longer spoke—casts him as a figure seemingly outside history. His multiple names—Teruo Nakamura in Japanese and Attun Palalin in Ami—mark the shifting spaces, identities, and temporalities that structure Chronotopia.