James Cooley

Known as "Wildflower," Letty Roberts meets Arnold Boyd, a wealthy man who is weary of life in the city.

Esther Wells is dumped by her husband, Martin, just as she's boarding a train. She gets off at the next stop, wanders into a cabin owned by Samuel Radburn, who happens to have been swindled out of a mine by Martin.

Wall Street financier Frederick Searles goes bankrupt, prompting his mercenary wife to marry their eldest daughter Needa to the wealthy, disreputable John Davis Warren, despite Needa's love for Hugh Stanton.

The young wife only reflected her aspiring mother's teaching. Her one ambition seemed to be for display and to keep her reputation as a woman of fashion. The husband's first weakness in fearing to tell her that the source of her power had gone, resulted in a second, a near-theft, nevertheless incriminating. Through it came the lesson.

On the day of the meeting which should settle the controversy regarding the Panama Canal, the Japanese Embassy commissioned Olga to obtain a copy of the agreement. The young Secretary to the Secretary of State became her dupe, but the detective succeeded in recovering the stolen treaty by a clever unwinding of threads taking thereby a desperate and thrilling chance.

In this film one is shown the contrast of two fathers. One father refuses to believe his son guiltless, while the other, fully realizing the weakness of his son, struggles to save him from further disgrace. In this attempt he exonerates the innocent youth, but at the same time exposes the guilt of his own son.

When Mrs. Van Nostra returned from Europe her new tiara was much advertised. A new lady's maid arrived, highly recommended, but following events proved that she was but the accomplice of Raffles. His crafty substitution of the diamonds on the famous tiara was discovered by the society detective, who captured the offenders in spite of their clever ruse.

No doubt the old antique dealer was prejudiced against his junior clerk. After frequent shortages, the clerk's visit to the gambling house was reported by the detective and he was discharged. In truth, he had gone to find the senior clerk, who owed him money which he needed for his mother, hovering close to the edge of life. By sharp detective work, the designs of the senior clerk were frustrated.

In his moment of weakness, the bank thieves prevented the young cashier from becoming that against which his heart rebelled, a thief. Evidence however, was against him. The detective's clever unwinding of threads saved both his own and his sweetheart's happiness.

After all, the young chemist proves himself quite human. He would have ended his life because he had not the money to spend on his desired research for a cancer cure, had not his uncle prevented. The old man became a thief "for science, not personal gain." The young man, however, fell in love with the very girl who was sent to track him, and thus forgot his original intention.

He was one of a league whom society thought honest. The little French lady who became his wife believed him a diplomatic spy for her government, so she sailed quite contentedly off to America to work with him. Far from home and friends, she learned his true character, but the crisis was met.

The dead man's decentralized life is exemplified in a half-finished will and an incompleted invention of a printing press. The mother impresses upon her two sons the power of concentration by a magnifying glass held to the sun's rays. One accepts the lesson and finishes the work of the father. The other becomes the tool of the rival printer. His lesson was to come through experience and the suffering of others.

This historical piece, set in the Huguenot days of France, is Norma Talmadge's 37th feature film and the longest to date at two hours. The plot involves a man forced into servitude who falls in love with the sister of his persecutor. It was Ms. Talmadge's fourth involvement with director, Frank Lloyd and the cast included future star, Wallace Beery.

Studio publicist discovers Minnesota skating teacher and takes her to Hollywood. She goes back to Minnesota but he follows her.

A scheme by a beautiful vamp to marry a wealthy young man fails, and the woman returns to her former lover, a sculptor. She is shocked to discover he has committed suicide, and the tragedy catapults her into insanity.

Silent drama directed by Ivan Abramson.

The Song of Love is a silent film of 1923 directed by Chester M. Franklin and Frances Marion. The film was produced and starred Norma Talmadge.

Forbidden Fruit

The Price

Through the Storm

Love and Money