Alpay İzer

The story of a guard who revolts because of exploiting reeve and tradespeople. People start to think he has an uncle working in the ministry of the interior.

Umudumuz Şaban

The film tells the things that pass by the head of a gallant gallery. Ali, who is a giver, is always out of his mind for being tired of his wife's whims. He spends some of his time with Sevda, the husband's firefighter. During a plane trip, Ali meets a guy named Alpay and tells all about his life. Alpay Ali's peasant daughter Mine recommends, Ali Mine teaches all things. Ali Mine does not like it at first, but then slowly falls in love.

This is the story of the politician named Zübük. He gets expelled from the political party that he is a member of, due to corruption. The journalist Yaşar wants to make a news story about his case and investigates Zübük's doings. Yaşar gets baffled at the sly tricks Zübük played on his village people. In the end, he feels sorry about Zübük's present situation, however, as things happen he becomes aware that Zübük has been tricking him.

The film deals with the migration from the village to the city with a realistic narrative. The immigration phenomenon described in workers' hands in a factory refers to both the modernization process in the period and the unionization. Hacer emigrates to Istanbul with his father, two children and his wife. Her husband left her and she was a helpless. Hacer was influenced by the union of the working factory, who owns the crippled friends. Hacer thought very much about to traditions versus modernization. It is the last of the film of director Ömer Lütfi Akad's Bridal-Wedding-Recoup trilogy. And it is still the inaccessible film of Turkish cinema history with its movie theme, cast, and acting success.

Yüzme Bilmiyorsan Isin Ne Agaçta

Hasan Almaz Basan Alır

Kokla Beni Melahat

Selma goes to a school where she’s a new teacher. The school is full of very goodhearted but naughty kids, leading one being Sezercik.

Derviş Bey

Zifaf

Canavar Cafer