Katarzyna Gajewska

A thin child of about 10, nicknamed "Crow" because she mimics the bird, has no friends and rejects a teacher's hug. At home, she is left on her own, her mom locks her out while entertaining a lover or is asleep. One morning, Crow sees a chubby, cherubic child hugged by both parents as the father leaves for work. When the toddler is left alone, Crow lifts her through the fence and kidnaps her.

The radical Polish director Małga Kubiak is regularly represented with her films at the Pornfilmfestival Berlin. In 2016 we showed “Andy Warhol to se vrati: boyz” and in 2019 followed “Federico Garcia Lorca Noir Despair”. Last year she was in the festival program with “Xreens”. In her latest film “D’Vinci”, the filmmaker again reflects on a famous artist. As expected, it did not turn out to be a typical biopic, and Kubiak dives deep into the meaning that her films and her way of working have and had for herself and for others – as always in her incomparable no-budget style. In today’s conservative Poland, her way of making films is no easy feat.