Paul Livingston

Babe is a little pig who doesn't quite know his place in the world. With a bunch of odd friends, like Ferdinand the duck who thinks he is a rooster and Fly the dog he calls mum, Babe realises that he has the makings to become the greatest sheep pig of all time, and Farmer Hogget knows it. With the help of the sheep dogs, Babe learns that a pig can be anything that he wants to be.

A man (Richard Roxburgh) the Australian government blames for 1990s political woes blames his mother (Judy Davis), a communist Stalin seduced in 1951.

Cumberland, 1348. The plague is spreading in medieval England. The remote village of little Griffin is also threatened. But the 9-year-old boy has a recurring dream that holds the key to a tiny hope of survival: a lake with a coffin floating on it. A white church with an iron cross. A falling glove. A falling silhouette. A torch tumble through a dark shaft into infinity. With his brother he recognizes in it a prophecy to escape the Black Death. So they embark with a few men on a journey to a distant cathedral, where they want to set up an iron cross as an offering to God. Her path leads them through a deep and dark mine shaft into an unknown land and completely outlandish time - into the present-day New Zealand of the 1980s.

The buttoned-down, superstitious Kay is attempting to lead a normal existence with her new boyfriend Louis. That’s until Sweetie, her rampaging, devil-may-care sister, returns home after an absence, exposing the rotten roots of their family and placing a strain on Kay and Louis’ relationship.

Bob's got a problem. He spent most of his childhood indoors. His Aunt Eileen didn't see the sense in him hangin' around with other kids, bringin' home their germs and filthy ideas.

Babe, fresh from his victory in the sheepherding contest, returns to Farmer Hoggett's farm, but after Farmer Hoggett is injured and unable to work, Babe has to go to the big city to save the farm.

Two hybrid characters become fixated by an idea. As they talk to each other they become more and more obsessed with the idea, but the more they talk the less capable they are of translating their ideas into action. Witty, wicked and kinky in concept innovative in use of animation. Prequel to the short film Crust.

Four unsuspecting victims are hurled into a twisted and altered reality: ... a young woman tries to flee a hit-and-run with destiny... an ex-ballroom champion hides a mysterious secret from the past in his bedroom... a routine job for a hitman takes an unusual turn... and a woman finds herself trapped in a train station with a bizarre railway clerk. All four soon discover that their preconceived notions of reality couldn't be further from the truth.

Five friends set off on an adventure in a small boat. They discover a mysterious island, where, one by one, they die a terrible death.

In a post-apocalyptic world, a group of children move from one uncertain world to another in their quest for sanctuary.

A man struggles with memories of his past, including a wife he cannot remember, in a nightmarish world with no sun and run by beings with telekinetic powers who seek the souls of humans.

A satirical take on a modern day Ned Kelly who is forced to Hollywood in order to make enough money to save his family's land. As it goes against his belief, he cannot simply rob banks for his own benefit (all money goes to the poor). Ned is forced to find another way to come up with the $1 million required to save his family island.

A very clumsy man and his UFO-obsessed girlfriend discover a plan made by his boss to market eggs laced with nicotine.

The Sideshow was an Australian television programme that was broadcast on ABC TV in 2007. The show was a mixture of stand-up comedy, sketches, live music, circus stunts, cabaret and burlesque. The hour long show was hosted by Paul McDermott. It reused the multiple-stage presentation style of the short-lived ABC show The 10:30 Slot, and remnants of the set of former GNW series The Glass House. The show began its life as a family variety show, airing at 7:30 pm on Saturday evenings. After 10 episodes beginning in April 2007, it took a few months off. Returning in August at the later time of 9:25 pm allowed the show to move from a PG to an M rating, and include a more adult-oriented humour. Similar to other shows produced by GNW TV, it had a cult following, and was regularly watched by 300,000 to 400,000 viewers. The series finale aired on 1 December 2007. The show was shot in a very loose style and it was not uncommon for cameras and crew members to be seen in a shot. All floor cameras and the two Jimmy Jibs had oversized Christmas lights attached to them, and become part of the scenery rather than something never to be seen. The series was created by Ted Robinson and was a GNW TV Production. It was a recreation of a show that Robinson was a part of in the early '90s called the Big Gig and would quite often recycle the stars from that show as "guests". It was pre-recorded in Studio 22 at the ABC's Ultimo studios in Sydney on Thursday nights for air on Saturdays.

This two-part series chronicles the story of the Doug Anthony Allstars. For the first time they confront how Tim Ferguson's Multiple Sclerosis (MS) has impacted on their friendships at each step to international stardom.

Good News Week was an Australian satirical panel game show hosted by Paul McDermott that aired from 19 April 1996 to 27 May 2000, and 11 February 2008 to 28 April 2012. The show's initial run aired on ABC until being bought by Network Ten in 1999. The show was revived for its second run when the 2007–2008 Writers Guild of America strike caused many of Network Ten's imported US programmes to cease production. Good News Week drew its comedy and satire from recent news stories, political figures, media organisations, and often, aspects of the show itself. The show opened with a monologue by McDermott relating to recent headlines, after which two teams of three panellists competed in recurring segments to gain points. The show has spawned three short-lived spin-off series, the ABC's Good News Weekend, Ten's GNW Night Lite and Ten's skit-based Good News World.

Good News Weekend, a ten-week special, focussed more strongly on popular culture than the news and frequently featured musical guests and stand-up performers. The shows were broadcast live, with the exception of a few prerecorded sketches. From Wikipedia.