Walter Ruesta

On the eve of the Russian Revolution, a performance of "Tosca" is taking place at the opera house. The artists and staff are too engrossed in their work to notice the unrest in the streets. The leading roles are played by Marina Marta and René Areno, who are also lovers. However, Marina has another admirer in Captain Alexander von Harbin. When, during the final performance, the insurgent communists suddenly storm the opera house, Alexander seems to be Marina's last hope…

Nora and Peter constantly fight and wish to divorce. Nora's uncle Eberhard, however, believes the two belong together and comes up with a plan to bring the two back together again: as a lawyer, who is processing the divorce, he explains to them that the paperwork for the divorce is completed, but will only go into effect once they undertake a reconciliation attempt. For the first reconciliation meeting, Eberhard enlists the help of his friend Christa and together, they turn Nora into such a hot tamale, that Peter burns with jealousy that any other man might look at her. At the second meeting of the two, which takes place a year later (how long do divorces in Nazi Germany take?!?!), Nora plays the girl abandoned by everyone. In the interim, she's given birth to Peter's son -- which apparently does not count as a reconciliation -- and Peter has become a successful composer. When Nora again disappears after this meeting, Peter does all he can to win her back.