Cezary Harasimowicz

Polish immigrant Karol Karol finds himself out of a marriage, a job and a country when his French wife, Dominique, divorces him after six months due to his impotence. Forced to leave France after losing the business they jointly owned, Karol enlists fellow Polish expatriate Mikołaj to smuggle him back to their homeland.

Godzina W

A zany and ribald farce about a machismo-fueled, philandering president, who strongly detests homosexuals and any other threats to his masculinity. His wife spends her days in utter misery, bemoaning her rapidly advancing age and counting her husband's lovers. One evening, when Mr. President beds his sexy female assistant, it wreaks a level of change that the man never could have foreseen.

Jerzy and Artur’s father dies, leaving behind a valuable stamp collection, which, they discover, is coveted by dealers of varying degrees of shadiness. The more involved the brothers get in their father’s world, the more dire and comical their situation becomes.

Sezon na bażanty

Set in 1952, the story follows events around the "Peace Run", a propaganda 3-day marathon for peace. The winner is to be presented with a new motorcycle by the country's president. Chief organizer is a ruthless manipulator who will stop at nothing to make sure that the right man wins. There are two runners, Budny and Stolar, who are participating in the race for different reasons.

A small-time racketeer Stefek evades mob bosses by passing himself off as a mentally unstable cleptomaniac and laying low in an asylum. The racketeer and his closest devotee escape from the asylum and find work at the opera. Stefek becomes stage-doorman and soon discovers that the opera doubles as a brothel.

A simple governess and a wealthy aristocrat fall madly in love with each other. However, his family are prejudiced towards her and have other plans for him.

Crimen

Originally made for Polish television, “The Decalogue” focuses on the residents of a housing complex in late-Communist Poland, whose lives become subtly intertwined as they face emotional dilemmas that are at once deeply personal and universally human. Its ten hour-long films, drawing from the Ten Commandments for thematic inspiration and an overarching structure, grapple deftly with complex moral and existential questions concerning life, death, love, hate, truth, and the passage of time.