Vasili Guzov

In the early days of the Great Patriotic War old Kuzmich from the village of Kurakino guesses that a long war lies ahead. As the village falls under German occupation and repressions intensify, he keeps aloof, arousing suspicions. Following the execution of fellow villagers and accusations of betrayal, Kuzmich agrees to serve as a guide for the German detachment, ostensibly to get a horse and save his family. In reality, however, he is planning a sacrificial deception: through his grandson Vaska, he conveys information about the enemy's route to the Soviet troops. At the critical moment, Kuzmich leads the German mountain troopers into a trap, repeating the feat of Ivan Susanin. At the cost of his own life the old man leads the enemy to perdition, becoming a symbol of the people's resistance.

In 1942, Red Army officer Nikolai Kiselyov receives orders to evacuate over 200 Jewish women, children, and elderly men facing brutality and death in Nazi-occupied Belarus. These exhausted, starving, terrified and bereaved people, deeply scarred by the horrors they have witnessed, must trek hundreds of kilometers along forest paths to regain hope of survival and faith in the future.

Фаворский

Лихач

Marina works in a crisis center for teenagers. From a crazy load, she has a stroke, memory lapses appear. She does not remember what happened to her patient Lera, who mysteriously disappeared from the center. Marina tries to find and save the girl, noticing that the world around her is becoming more and more strange. The viewer is drawn into a funnel of danger, discovering the existence of a parallel world in which Marina is a desperate journalist conducting a risky investigation. The heroines will have to go a long way to understand what is really happening...

Морские дьяволы

Агент особого назначения

Государственная защита

In the center of the plot is a senior investigator named Masha Shvetsova and her male colleagues. The plot is the most vital, but, like in “Streets of Broken Lanterns,” it is seasoned with a fair amount of humor - otherwise, how can the audience (and the heroes) endure countless morgues, identifications and other “cute” charms of the investigative routine?

Любовь императора

Принцесса и нищий