Elżbieta Helman

Jacek climbs into the taxi driven by Waldemar, tells him to drive to a remote location, then brutally strangles him, seemingly without motive.

The Borejko family has four daughters - Gabriela, Ida, Natalia and Patricia. Most concern causes the red-haired Ida, whose unusual ideas often end badly, though the girl has the best intentions. Her father, who works at the university as a classical philologist, gives her the idea to found a group called ESD. They want to try out the theory that you are more successful if you send out more positive signals to the environment. Soon this theory will be put to the test. Ida's mother has to go to the hospital and the entire burden of household chores falls on the children.

Jacek, an angry drifter, murders a taxi driver, brutally and without motive. His case is assigned to Piotr, an idealistic young lawyer who is morally opposed to the death penalty, and their interactions take on an emotional honesty that throws into stark relief for Piotr the injustice of killing of any kind.

Made in 1983, shelved for four years. A chilling tale about kids playing in a bombed-out Warsaw courtyard on the day of Stalin's death, while their parents are away at the church or a memorial procession.

Originally made for Polish television, “The Decalogue” focuses on the residents of a housing complex in late-Communist Poland, whose lives become subtly intertwined as they face emotional dilemmas that are at once deeply personal and universally human. Its ten hour-long films, drawing from the Ten Commandments for thematic inspiration and an overarching structure, grapple deftly with complex moral and existential questions concerning life, death, love, hate, truth, and the passage of time.